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La course du temps Painting

Sylvie JULKOWSKI-EGARD

France

Painting, Oil on Canvas

Size: 31.9 W x 39.4 H x 0.8 D in

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Originally listed for $2,740

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ABOUT THE ARTWORK

With this work the painter wished to approach the notion of time. Awareness of the time that passes inexorably concretized by the clock. The past time is symbolized by the broken doll on the ground. The anguish of the young woman is translated by the cigarette. "The race of time" is part of a series entitled "My Little Nanas" where the painter's daughter is used as a model to illustrate human behavior, situations that can be observed every day and that she draws from her personal experience. She composes her work by adding reading keys with the help of different symbols. From a technical point of view, she applies multiple brushstrokes, more or less large, energetic in certain "secondary" areas and destructures certain zones in order to bring the eye to the focal point, which is preserved

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

31.9 W x 39.4 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Courrières in the North of France, I share my time between the North of France and Paris which inspires me many urban scenes including café terraces. I have always used oil paint because slow drying suits my technique better. I work in series by inspiring my surrounding, places I go to, objects I own and stage. In the series "Réflexions sur le temps qui passe", I treat the cars and Vespa in the manner of the "vanities" of the past by perforating the bodies, rusting them, thus translating the time that passes and which reduces to few things once prestigious vehicles. The parallel is obvious with our own existence. In the still lifes séries, I stage objects with a preference for metal and glass and using a palette of coloured grey and nuanced white so as to have a contemporary touch. In the series "Mes petites Nanas", I interpret scenes, situations, by putting in scene my daughter who is used to me as model (The comedy of the feelings, or the works on the small girls). Finally, the urban landscapes are inspired, as I said earlier, by my numerous stays in Paris where I live part of the year.

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