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La partida, fecundación y muerte/ The departure, fecundation and death. Painting

Antonio Lisón

Spain

Painting, Acrylic on Canvas

Size: 51.2 W x 38.2 H x 0.8 D in

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About The Artwork

This Artwork belongs to the collection "Wrong Landscapes". Photographs of "interiors" landscapes printed on canvas and reinterpreted with oil and acrylic, creating an interesting contrast between the diferent materials and textures. Most of the "landscapes" are from a abandoned canned factory in Galicia, that I found during a lonely travel going inside the forest. The mixture between old architecture and nature, contaminated water, paints, broken cristals, dark/ligth contrast, the silent and the mysterious atmosphere was really beautifull and shaking. Its inspired me to make this collection using the images for represent the internal emotions of the human psyche, with his fears, troubles, questions about their own identity and the contrast between their subjective reality and the objective reality.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:51.2 W x 38.2 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Murcia (Spain) in 1985, graduated in Fine Arts from the University of Castilla La Mancha in the Campus of Cuenca. Spain (2013) In my artwork I normally use the human figure and its relationship with space and represented reality, the mixture between the abstract and the figurative, painting and photography, and the use of different dictions to check and investigate the stresses, relationships and dialogue that are established between them ... the line that separates and at the same time unites them, in order to build and reflect the objective and subjective reality that gives rise to the construction and conformation of their totality. The human psyche and its emotions, the relationship between ego, mind and human emotionality are important issues for me, both in the individual subject and in his collective form and his relationship with the environment and society.

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