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Landscape n°1

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Landscape n°1 Painting

Lele De Bonis

Italy

Painting, Watercolor on Aluminium

Size: 39.4 W x 48 H x 1.6 D in

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About The Artwork

First work of the series. The artist's goal is to start from the use of salvaged objects and create landscapes with them. This work represents a seascape represented by a promontory and an island (made with pieces of rusty iron plates). On the promontory stands a sort of fantastic structure / machine whose function is revealed to be unknown. During the processing of the work, the artist first created this structure with many details but little by little, he began to deconstruct it up to the current form. This deconstruction process is due to the need, which emerged in the "making of" to make everything simpler, more harmonious, balanced. An attempt at a research of synthesis of which this work expresses only a beginning and which is assumed, with the next works of this series, to become clearer and more accentuated.

Details & Dimensions

Painting:Watercolor on Aluminium

Original:One-of-a-kind Artwork

Size:39.4 W x 48 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1980, Lele De Bonis lives and works as a set designer for several companies in the theater, cinema, amusement parks and outdoor scenography sectors. At the same time he has developed a personal artistic path focused on the concept of recovery and assembly, through which he represents what strikes him most in real life. The human being is the center of his works and he usually represents it in a cynical and grotesque key, without ever condemning it. Wood and aluminum are the materials he uses the most. Beyond the message, their constructive juxtaposition allows him to play and experience infinite alchemical relationships between hot and cold materials. Starting from the concept of “ready made”, through his assemblages, Lele is constantly searching for an aesthetic dialogue aimed at creating a material and chromatic balance between the different materials within a composition. His works are a continuous alternation between explicit references to the current historical context and a more abstract, introspective research.

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