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This piece is the result of some deep introspection during the solitude of perpetual lock down variations. Along with a mid life reflection of some of those pivotal chapters we all experience in one way or another. It's unusual for me to title work in a literal sense, though I feel that I'd like to gently invite the viewer to explore those subjects within their own paradigm. This large and powerful piece is a deep boxed canvas so can be hung with or without a frame. Bold strokes of pallet knife work, some impasto and some glazes, lots of sumptuous linseed oil and an out pouring of emotion.
This piece is the result of some deep introspection during the solitude of perpetual lock down variations. Along with a mid life reflection of some of those pivotal chapters we all experience in one way or another. It's unusual for me to title work in a literal sense, though I feel that I'd like to gently invite the viewer to explore those subjects within their own paradigm. This large and powerful piece is a deep boxed canvas so can be hung with or without a frame. Bold strokes of pallet knife work, some impasto and some glazes, lots of sumptuous linseed oil and an out pouring of emotion.
This piece is the result of some deep introspection during the solitude of perpetual lock down variations. Along with a mid life reflection of some of those pivotal chapters we all experience in one way or another. It's unusual for me to title work in a literal sense, though I feel that I'd like to gently invite the viewer to explore those subjects within their own paradigm. This large and powerful piece is a deep boxed canvas so can be hung with or without a frame. Bold strokes of pallet knife work, some impasto and some glazes, lots of sumptuous linseed oil and an out pouring of emotion.
This piece is the result of some deep introspection during the solitude of perpetual lock down variations. Along with a mid life reflection of some of those pivotal chapters we all experience in one way or another. It's unusual for me to title work in a literal sense, though I feel that I'd like to gently invite the viewer to explore those subjects within their own paradigm. This large and powerful piece is a deep boxed canvas so can be hung with or without a frame. Bold strokes of pallet knife work, some impasto and some glazes, lots of sumptuous linseed oil and an out pouring of emotion.
This piece is the result of some deep introspection during the solitude of perpetual lock down variations. Along with a mid life reflection of some of those pivotal chapters we all experience in one way or another. It's unusual for me to title work in a literal sense, though I feel that I'd like to gently invite the viewer to explore those subjects within their own paradigm. This large and powerful piece is a deep boxed canvas so can be hung with or without a frame. Bold strokes of pallet knife work, some impasto and some glazes, lots of sumptuous linseed oil and an out pouring of emotion.
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Life - Loss - Love Painting

Rana K

United Kingdom

Painting, Oil on Canvas

Size: 39 W x 39 H x 1.5 D in

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About The Artwork

This piece is the result of some deep introspection during the solitude of perpetual lock down variations. Along with a mid life reflection of some of those pivotal chapters we all experience in one way or another. It's unusual for me to title work in a literal sense, though I feel that I'd like to gently invite the viewer to explore those subjects within their own paradigm. This large and powerful piece is a deep boxed canvas so can be hung with or without a frame. Bold strokes of pallet knife work, some impasto and some glazes, lots of sumptuous linseed oil and an out pouring of emotion.

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Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39 W x 39 H x 1.5 D in

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Rana K
Rana K

United Kingdom

I believe that art is not only seen, but is a felt experience, as does my greatest influence Howard Hodgkin. This is the realm I choose to work in; aiming to represent or re-create a moment, an emotion using paint as a dialogue.The souls complexity is the reason I choose not to title work in a sense that would give a guide to each derived source. I feel this would throw the viewer into an intellectual process, or even worse confine each piece to boundaries. I hope to evoke a response based on emotion not intellect, for each viewer to be moved on any level. If I can create a space for this and paint a moment, then I am achieving my goal. Though like all artists, I shall strive continuously for the perfect piece.

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