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United Kingdom
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Liminal: lɪmɪn(ə)l. Adjective: technical. 1. Relating to a transitional or initial stage of a process. 2. Occupying a position at, or on both sides of, a boundary or threshold. Landscapes are constantly undergoing change, and are only presumed to be stable in the moment that they are experienced. The supposed timeless scenery enshrined in the British consciousness – the picturesque Lake District or Flatford, the setting for Constable’s Hay Wain – are relatively speaking, a snapshot in time. There exist, all around us, overlooked spaces between city and countryside. Marginal areas formed from the unloved, utilitarian spaces that form the hinterlands of the city. Visiting these places is for me the equivalent of the eighteenth century aristocrat’s ‘Grand Tour’, dystopian and suburban rather than utopian and elysian. Combining a visual language of photography, paint, and objects collected from these edgescapes, the images of rhyparography I produce are constructed from location, fiction, and the observation of entropy.
Original Created:2016
Subjects:Landscape
Materials:Soft (Yarn, Cotton, Fabric)Wood
Styles:ModernStreet ArtSurrealism
Print:Giclee on Fine Art Paper
Size:10 W x 8 H x 0.1 D in
Size with Frame:15.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
For me painting is performative :: explore - form - redact - scribe - obliterate - order - resolve. The materiality of paint texture, gesture, and colour - the abstract gestalt - a record of process, a layered palimpsest, manifested in the artefact. I work using an iterative process, beginning from the discoveries of previous work, but letting go of predetermined expectations. Taking an experimental approach to working with painting media, including the use of a plasterer’s trowel, squeegee, metal scribe and occasionally brush, to allow chance and visual discovery to inform the dynamic journey a painting takes. I am a Irish/British artist from London, and since leaving there in 1997, I have lived in Malmo Sweden, in Newcastle, and currently reside in Bristol where I have a family and teach alongside of my studio practice. Importantly for me it is the experience of these cities and of their hinter-landscapes that informs my work. Alongside of my establishing and leading a foundation art & design programme, I exhibit widely in the UK, and my work is held in collections in the U.K., Europe, the UAE, and in the U.S. In 2022/3 I took a sabbatical from teaching and using this time and intellectual space to fully engage with an immersive studio practice - and produced a dynamic new group of works. Following on from this I have now left full time teaching to focus upon his studio practice. I continue to teach online and in my studio, and am a verified online tutor through Spires and Superprof, providing mentoring for UCAS applicants & workshops in art and design. For further information: https://www.superprof.co.uk/art-classes-and-ucas-mentoring-from-supportive-and-friendly-foundation-lead-tutor-ual-btec-and-practising-artist-fine-art.html Earlier Liminal Landscape series: Combining a visual language of photography, paint, and found objects from these edgescapes, these images are constructed from location, fiction, and the observation of entropy.
Artist featured by Saatchi Art in a collection
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