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Painting, Acrylic on Canvas
Size: 39 W x 39 H x 1.5 D in
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Influenced from expressionism of the 30’s,40’s in Europe and later America, for example Wols or Fautrier as examples who made works out of frantic nervous jestures that spoke from a time of war and insecurity. Calm lyrical movement of a line is at times impossible to express yet still appears from the subconscious allowing the confinement of the square to discipline the meandering of the line which fights the crossovers when not looking. Moving further along in time Jackson Pollock’s approach has a dramatic yet calm system of automatism which has been revisited by me as an exercise in breaking any identifiable form.
Acrylic on Canvas
One-of-a-kind Artwork
39 W x 39 H x 1.5 D in
Not Framed
Yes
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
LIVES IN LONDON UK WORK ABSTRACT MINIMALIST PAINTING About KJ Cook While attending art school in late 60’s and 70’s, a radical shift in contemporary art was taking place through the development of conceptual art. Cook explored and created video art, performance art, learnt skills in lithography, photography, film making and studied the history of independent film making. Traditional materials and skills were replaced by systems, graph drawings, cinematic- montage, notation, movement, sound, and spacial performance, installation and video performance. In 1974 Cook moved to the U.K. and trained in theatre design, drawn to new writing and the disposable nature of ideas over time and the final 3D results rarely given refuge after it's first public viewing. Cook worked extensively as a set and costume designer in theatre, ballet, opera and film, for nearly four decades, as well as working ten years in collaboration, experimenting in development of music/theatre. Throughout that time Cook has always maintained an independent art practise and studio in the U.K. with the emphasis on development of ideas and abstraction. Since the mid seventy's Cook's art work continued to develop using basic materials on paper, featuring automatic drawing and painting with no use of film or video technology or documentary tools. In the late eighties she began to paint monochromatic, minimalist work after a strenuous and persistent return to drawing, which continued into the late 1990's. Landscape of the body as well as nature of a disproportionate scale began to fuse and has continued to developed. Since 2010 Cook made a decision to gradually transition from stage design to painting without the cushion of script, scenario,libretto,dialogue, and has been painting full time since 2016.
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