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LOVE TO FUCK repeatedly written with strong line handstyles and added brush strokes to give dimension and shape. The viewer can find the hidden words written in the canvas and connect to the message of passion.
LOVE TO FUCK repeatedly written with strong line handstyles and added brush strokes to give dimension and shape. The viewer can find the hidden words written in the canvas and connect to the message of passion.
LOVE TO FUCK repeatedly written with strong line handstyles and added brush strokes to give dimension and shape. The viewer can find the hidden words written in the canvas and connect to the message of passion.
LOVE TO FUCK repeatedly written with strong line handstyles and added brush strokes to give dimension and shape. The viewer can find the hidden words written in the canvas and connect to the message of passion.
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LOVE TO FUCK Painting

Nicholas Tramontin

United States

Painting, Acrylic on Canvas

Size: 60 W x 40 H x 1.5 D in

Ships in a Crate

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SOLD
Originally listed for $8,500
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408 Views
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About The Artwork

LOVE TO FUCK repeatedly written with strong line handstyles and added brush strokes to give dimension and shape. The viewer can find the hidden words written in the canvas and connect to the message of passion.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 40 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Bio Nicholas Tramontin Born: San Francisco 1984 Inspired by heartbreak, love and addiction to connection I am driven by speed and movement. Riding a wave on a surfboard or shifting gears in a fast car, the connection to both machine and Mother Earth I feel there is a connection with natural and unnatural. My art is my heart trying to make sense of what my eye sees.  It is as if I were a time traveler; a Romantic from the 18th century dropped into our modern, chaotic world.  As far back as I remember, anxiety has dogged my steps, but rather than recoil from it, I am painting my way through it.   In these pieces, I am looking for portals and for gaps in time.  I am looking for spaces in colors, and for shapes that might be a life force, or perhaps a way to reconnect to that place I have been in my other life.  I offer these pieces as my signposts

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