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Man in Plain Tie: Out of the Box series Painting

Joyce Owens

Painting, Acrylic on Wood

Size: 10.5 W x 16.5 H x 3.5 D in

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About The Artwork

Out of the Box series: Joyce Owens These paintings are dramatic renditions of the black middle class men and women shown in photographs during the Paris Exposition in 1900, only 35 years after Emancipation from American slavery! W.E.B. DuBois assembled the collection to overcome racial stereotypes that we still fight today in 2014! Although not a secret, this historic segment of the American population is not widely acknowledged; the focus is instead on slavery and slaves, the poor and destitute whom I also address in my work. There is a depth to our African American ancestry that we can build on, if only we know the history; the wooden box is symbolic, that can both hold the truth and, like a soap box, supports telling the truth. I utilize my drawing and painting skills to represent these people, our family heirlooms. The works range in size and the boxes have various depths. They are found, purchased and handmade wood boxes. I show them singly, but preferably in groups. They stack or hang from the wall. They cross the boundaries of sculpture and painting. The medium is acrylic paint. The variations of the people portrayed defy stereotyping, as do most peoples.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:10.5 W x 16.5 H x 3.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Joyce Owens' art was comissioned by the historic Blackstone Hotel in downtown Chicago, the Sofitel Hotel in Hyde Park, Chicago, by the Mt. Sinai Hospital Clinic and Chicago State University. She has exhibted on four continents including NATO in Brussels, Belgium; The African Union in Addis Ababa, Ethiopia, and U.S. embassies in Stockholm, Sweden and Monrovia, Liberia. Her work was also shown in Turin, Italy and many galleries, museums and art centers in the U.S.A. Owens, who has been an artist since she was a girl, was born in Philadelphia, Pa. on the east coast of the United States of America. The third of three children produced by Eloise Owens, a local celebrity/opera singer, and a community and civic servant following in the footsteps of her mother, Owens' grandmother, Florence Collier Franklin, who raised a million dollars in war bonds during WWII. All of her six siblings, and her mother, Elizabeth migrated from Georgia in the late 1920's. My grandmother's husband, college educated and an employee of the US Postal Service, died young when my mother was eight. I never knew my great grandfather or my grandfather and my father and mother split when I was a tiny girl. I lost half of my history. I have tried all my life to grasp my missing history by embracing that of all my people as well as my personal family history. I have learned to embrace what I have and never look back when it comes to things I have lost or never had. I left Philadelphia to create my own history, apart from the glory and the chaos of a prominent black family that also had some issues (like most families). My mother was known by many. My uncle, Jack T. Franklin's impressive half million-plus photography collection covering the civil rights movement in Philadelphia is a national entity. My cousin is a respected historian and has written numerous books. I am inspired by my history and by artists such as Charles White and Kathe Kollwitz. Contemporary artists I love are sculptor Preston Jackson, Elizaeth Catlett, Wanghechi Mutu, Richard Mayhew, Kerry James Marshall, Philemona Williamson, Renee Stout, Barkley Hendricks, Judy Pfaff, Carrie Mae Weems, Richard H. Hunt, Don Gummer, and more. Sculptor Ed Love was my biggest influence along with my high school teacher Walter Lubar.

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