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28
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Painting, Acrylic on Wood
Size: 11 W x 14 H x 2 D in
Ships in a Box
96 Views
28
Featured in the Catalog
Artist featured in a collection
This pair is from an 18 part series named mathematical abstraction. The series is inspired by architectural fractals abound in African village structures, an appreciation of indigenous creativity and quantitative ability. Painting on pairs of wood and canvas I used quick brush strokes and gestural movements to apply acrylic and interior paint. Color palettes for each pair were chosen organically, blending colors together to fill in space on the surface. Using oil pastels, I created a continuous black line between both surfaces that symbolizes the architectural structures in African villages such as Zambia and Mali. Additionally, when all the pieces are aligned on the wall the black line joins symbolizing unity and how “we” are all connected.
2022
Acrylic on Wood
One-of-a-kind Artwork
11 W x 14 H x 2 D in
2
Not applicable
Not applicable
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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ARTIST STATEMENT: My work is a constant search for the best way to interpret freedom, what freedom looks like in all aspects, mentally spiritually and physically. As I evolve and gain more knowledge of self, it directly translates onto the canvas. What aids in my evolution as an artist is the studying of historically black abstract artists such as Mary Lovelace O’Neal, Sam Gilliam, and Al loving. I am on a personal mission beyond influence that derives from my subconscious and my need to create meaningful experiences through abstraction. I intend to use my work to unlock truth and contribute to the conscious movement of Black female artists reshaping my own Black aesthetic within the art world. I am a contemporary abstract artist. I use interior paint, and oil pastels to express my views on identity and culture through expressionism. I use raw non stretched canvas, building color from black and brown tones inspired by all shades of melanin. I incorporate many marks inspired by indigenous cultures. These marks are an expression of the freedom I speak of passed down through genetic code since the dawn of time. Ultimately the shaping of canvas, the use of color tones, and the mark making defines my human experience and tells a story that I am compelled to share with each viewer.
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