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Minstrel #1 Painting

JaeMe Bereal

United States

Painting, Acrylic on Canvas

Size: 36 W x 30 H x 0.5 D in

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$4,850USD

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About The Artwork

Minstrel #1 is another take on racism in the U.S. as it pertains to music and theatrical performance in the mid to late 19th century. It's a kind of twisted blessing that we knew we could rely on singing and dancing to put supper on the table. Though America has usurped African American music and culture for the purpose of entertaining the masses for decades, opportunities simply didn't exist and minstrel shows ultimately became the way to "break into" show business. And many talented Black singers and dancers did just that. My thrust in this vintage-styled painting was to evoke something positive, apart from the derogatory stereotyping and caricatures that were integral to the minstrel tradition. I wanted to faithfully acknowledge the musician behind the mask.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 30 H x 0.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm an Oakland, CA based painter and hair stylist, the latter of which provided the supports and independence to cultivate my art over the last 25 years. Music, politics and people are integral aspects to my work. Music elicits powerful visuals, politics and social issues offer opportunities to challenge and illuminate, and people's faces are multi-colored landscapes etched in a tangle of emotion and experience. My goal is to offer substance and context that bring people closer to real issues that affect us all. I regularly feature people of color, and my hope is to empower those who feel marginalized or somehow short-changed. I grew up amid the tumultuous 1970s in south central Los Angeles. Luckily, with excellent grades and scholarships, I attended UC Berkeley in 1981 for Fine Art, studying under the renowned ceramic innovator Peter Voulkos. However, due to a period of disillusionment, both politically and artistically, I dropped art completely for eight years. Upon my return in 1989, I dove in with a renewed appetite to explore past my limits. I even built an art studio and gallery inside my hair salon. At 40, I matriculated in a commercial art school, thinking to become a 3D illustrator. But it didn't take long to discover where I felt most at home, in 2D illustration and portraiture.

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