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Mr 16/09/2009 - just moved in....it was never open house! Split Scene pt 4 Painting

Lavinia De Ayr

United Kingdom

Painting, Acrylic on Paper

Size: 3.5 W x 4.7 H x 0 D in

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About The Artwork

THE CONNECTIONS! It is the 16/06/2009 It is the morning after the move Another fresh start attempted There is orange flock paper on the walls Yellowing white varnish on the skirting boards, and floor With taupe tiles on the floor It is the “Porthole” bungalow flat There is a ‘stable’ style door With white wall tiles left inside! Exhausted Waking up the next morning Relaxed, starting to feel free Until…. I walk into my living room Though, not shown in this paintings There is white sheeting at the window Which evidently still had visibility both sides To my shock, an horror As I am looking around the room I notice a man dressed from head to toe, in navy blue! In the properties Supposedly Individual small private garden area Of the communal garden This man was not distracted looking else where He was standing there Staring into my property Years go by My every move it felt like Followed From a form of continued style of noise nuisance Experienced at the flat I downsized too Where all the action began in the Easter of 2007 From the banging on the wall From where each properties walls were joined To intruders Rolling toys up the short garden path to the large garden doors Which left me Literally Physically, feeling the weight of negative hateful energy It was a joke to some people It was like they were saving it up for me Their revenge My life because saturated With their antics At times I could barely breathe I cannot fully put my hand on what is being practiced! I know my flat is being entered But, it soon becomes time to leave I finally find another way out! Something, which I felt would never happen for me! Overall, I was doing well But, soon after moving in 2006 By 2007 things had become so difficult I referred to it, as morbid jealously No one understood what that meant! My interpretation is a jealously so strong There person who is overcome Has the hollowest empty feeling of absolutely no compassion! As though they have gone beyond Or unable to feel their own pain It is time to get out Every time, I go to use the bathroom Which is right next to the sunken door mat area in the hall way I can hear the loudest screaming voice Repeatedly saying: you must wanna be brung in? There is a window behind the toilet! A storytellers Poem! A community of good healers Comes under attacker from a group of pretenders Swamping a community with misfits & Cost everyone Antics There are the bounty hunters Information on crime For money It would seem Find out where they are vulnerable Stick it in thick! But what happens when you have a bad, or mad boss? It’s one thing to go through hell at work But, what about when they follow you home? What about when your boss, your old boss, can’t let go? He/she has the power, status, and support to recruit who they need! To restrict your needs! What about if…..who you have worked for….covets your opportunities? And then to fulfil their need for a thrill, because of their connection They can affect anything they want! Welling up, hate! Sick with the need to impress! Your lively hood Your investment in yourself Can easily become the subject of entertaining everybody else Which can cause things to be, or get extremely difficult Especially, if you are just an ordinary somebody Someone not getting on with your everyday private life Someone who has not chosen to be in an industry that entertains everybody!

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:3.5 W x 4.7 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in London. From kitchen table top, to connecting to the market place creating a hub of creativity. I have had the opportunity and privilege to live and experience many different area's in England and addresses in and around London, living in different social conditions, with a different set of challenges and joy's at each location. These experiences continue to be the biggest influence and inspiration for my work to date, inspiring imaginative impressions, which translate into expressions of fictional characters, and decorative designs. Whilst I did attend formal schooling, I did manage to achieve leaving secondary schooling without qualifications. Later gaining qualifications by investing in vocational training. I initially took up sketching to help me with clothes design, attending a local community college, it was a cheaper option as a young parent at the time. I come from a background of naturally creative people, where things like clothes were made without patterns, or any prior preparation for design. It was a time of instinctive survival, with a jump in and get it done way of living and thinking, learn on the go type of attitude toward life. Writing poetry plays the role of being my first point of creativity, it is a combination of free flow journal writing, "free flow" is a method of unblocking personal expression. Examples of this is the pen sketch and textile remnant journals, where poetry, meaningful sayings, and short messages meet. Expressing myself through writing journals, poetry, and even finding a way of writing threw creating an image, led me to explore painting as a further means of deeper self expression, exploration and release. What emerged is a spontaneous method of painting, composition admittedly is not a study in every piece initially, but emerges in the form of allowing a subject to develop in a space, in whatever form or position it takes. Coming from the era where Art was not seen as a proper job, taking that notion on - for a long time. I struggled to come terms with art as anything other than frivolity, despite being a creative. To understand my work further; The experience behind the creative process. Throughout my life as a child to present day I have been effected by the collection of behaviours known as Stalking. As a child and teen I witnessed others experiences.

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