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Le Déjeuner sur l'herbe (English: The Lunch on the Grass) Originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The piece is now in the Musée d'Orsay in Paris. My painting is a personal interpretation of this masterpiece.
Le Déjeuner sur l'herbe (English: The Lunch on the Grass) Originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The piece is now in the Musée d'Orsay in Paris. My painting is a personal interpretation of this masterpiece.
Le Déjeuner sur l'herbe (English: The Lunch on the Grass) Originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The piece is now in the Musée d'Orsay in Paris. My painting is a personal interpretation of this masterpiece.
Le Déjeuner sur l'herbe (English: The Lunch on the Grass) Originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The piece is now in the Musée d'Orsay in Paris. My painting is a personal interpretation of this masterpiece.
Le Déjeuner sur l'herbe (English: The Lunch on the Grass) Originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The piece is now in the Musée d'Orsay in Paris. My painting is a personal interpretation of this masterpiece.
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My "Dejeuner sur l'herbe" Painting

Busellato Marie-Ange

Belgium

Painting, Oil on Canvas

Size: 23.6 W x 15.7 H x 1.2 D in

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About The Artwork

Le Déjeuner sur l'herbe (English: The Lunch on the Grass) Originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The piece is now in the Musée d'Orsay in Paris. All my personal interpretations of masterpieces are hand drawn with the mouse in a small basic program following my imagination, then transcribed on canvas respecting the original colors !

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Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:23.6 W x 15.7 H x 1.2 D in

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My Website : https://www.busellato-marie-ange.com/ Artistic process For twenty years of passion for painting, I am constantly evolving. The different courses and workshops in which I participated allow me to research the shapes and especially the colors of which I studied the components and their use through oil painting. I myself realize the mediums by following recipes found in the books of old masters which enter in the composition of the various mixtures. This allows me to develop my personal technique to create the atmosphere in which I give life to the subject so that it is as harmonious as possible. Every painting represents for me the beginning of an adventure and a new challenge. I see a way there of sharing my joy of life and my love for the nature, it's her who attracts me most with her various colors in different seasons.

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