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Painting, Acrylic on Canvas
Size: 15.7 W x 15.7 H x 2 D in
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»CURSED AND FORBIDDEN« PAINTINGS FROM 2005 »The series titled Cursed and Forbidden consists of paintings and short texts with copies of photos taken from the internet. It is therefore a hybrid installation. Texts either explain pictures or talk about their backgrounds and origins. The central topic of the exhibition is Third Reich and its most exposed individuals: Hitler, Himmler etc.« »In this series I try to push the concepts and technology of solarisation a bit further. In my previous series of 2004 I tried to show how memory is formed. Memories of many individuals combined can be termed history.« »Jurečič enters intrinsically a sociological context with his latest works; it could be one of the answers what kind of painting is still possible today,« writes Aleksander Bassin, the director of Ljubljana's Municipal gallery in the catalogue. »When I was in school I had to keep track of the monuments and exhibitions refering to WW2 I had visited. I had a little booklet in which I kept all the records of my 'discoveries' in form of stamps and signatures. There was heavy rain one day. I was soaked and so was my booklet. All evidence of my efforts were washed away…This is precisely what Jurečič's paintings talk about.« Božidar Zrinski, art director of Ljubljana's Graphic Bienalle 2009 in major national newspaper »Dnevnik«, 31st of May 2007. »From exhibited paintings in Domžale gallery we can discern that through search for original artistic expression based on exploration of various technical possibilities and narative interaction with his surrounding and audience, Boštjan Jurečič has reached the artistic level that puts him in the league of quality contemporary slovenian art,« writes art critic Katarina Rus Krušelj.
2017
Acrylic on Canvas
One-of-a-kind Artwork
15.7 W x 15.7 H x 2 D in
2
Not Framed
Not applicable
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Slovenia.
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Painter, art theorist, journalist born 1969 in Ljubljana, Slovenia. This is all of my art production so far displayed in no chronological order. I try to maintain strict quality control so I destroy more then I preserve. There are also several video clips about my work available on my YouTube channel. I was the worst student Ljubljana's Academy of Fine Arts could ever have. I barely passed the last year with the lowest grades. After finishing studies I wanted to drop art altogether. I got a job at the national TV of Slovenia where I still work as a journalist covering visual arts, architecture, comics, classical and contemporary music etc. After the millennium I started painting again. At first under strong influence of Basquiat, whose show I saw in Trieste at the end of the nineties. Actually it was Basquiat's show that pushed me back again into producing art. After 2003 I wanted to get rid of Basquiat's influence. So, one time I carried this one piece that had again been done in his style under water, while it was still wet. Water partially washed the image away. There was a silent scream in my head: "Look how the image dissolves." Washing the images away with water became my dominant painting technique. There were a couple of series of paintings made between 2004 and 2006 using this technique in a variety of ways. Between the beginning of 2007 and the beginning of 2010 there was a pause though. I was trying to expand on this idea and technique but wasn't successful. I realized later that I was trying too hard to show my invention as such. In early 2010 I came up with the necessary evolution. Since then, my work procedure can be described as follows: I make an image with paint. I then wait a couple of minutes till some of it has dried. I then wash the image away with water. Patches of paint remain, of course. I then repeat this procedure with another paint until something gets formed out of patches. Why is all of this important? This procedure of mine gets me beyond simple illustrating. It makes the onlooker feel as if the images got on the canvas all by themselves. At work with TV Slovenia I have been since 2012 engaged in writing a widely read and commented column on contemporary art. I am also active in the field of art theory. I developed an original theory of and on the parallels between visual art and music. Short articles about the theory are available on .
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