VIEW IN MY ROOM
United States
Painting, Watercolor on Paper
Size: 40 W x 30 H x 0.1 D in
Ships in a Tube
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Artist featured in a collection
This painting, was inspired by the poem NO NAME by the Beat Poet, Albert Saijo. I listened to the poem in my thoughts, and waited for the counsel of the inner eye to guide me in my pursuit of an image that was all encompassing. I saw light receding into the distance, light travelling in space since the beginning, light energy that sees everything and experiences everything. Labels put things into categories and stop thinking from going beyond the literal. For the poem, NO NAME, I worked to leave literal thinking behind and I chose to show that everything is made up of balls of energy of different degrees of density or in this case color. It was originally painted as a visual response to poems by Albert Saijo for an exhibition on Hilo, Hawaii entitled POETRY SCORES, HAWAII – LOOK LIKE WHAT IT MEAN, University of Hawai’i, Hilo, HI, curator: Phil Sanders
Original Created:2015
Subjects:Abstract
Materials:Paper
Styles:Abstract Expressionism
Mediums:Watercolor
Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:40 W x 30 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
"Phenomenology of Form” In my abstract painting and sculpture, I strive to move away from a human-centered world, into one populated entirely by objects composed of form and space. I refer to my paintings and sculptures as places. There, the forms are free of the use value we assign to objects in the world around us. Rather than fulfilling human needs, or even catering to the symbolic or allegorical imagination, these forms exist independently of us, and draw the viewer into their space. They come alive on their own. To meaningfully fill space, they must become space, composed of dimension and acquiring their own fullness of being. This way, the forms exist not as potential objects, but as something that can hold and reveal the essence of being. BIOGRAPHY 2017 Diane Szczepaniak has been recognized throughout the East Coast for her abstract paintings and sculptures. Since the age of twenty-three, Szczepaniak has been driven by the study of the dynamics of form. Initially focused on drawing and sculpting the figure, she worked through these media to an understanding of the physicality of objects in space, which has remained with her throughout her career and brought her directly to abstraction. Using this understanding of space as an inspiration, she creates paintings by layering numerous washes of paint on paper and canvas, in a process that reflects her early sculptural training. Inversely, her glass sculptures are a physical representation of her painting process where each sheet of hand-blown colored glass represents a layer of paint. In both cases, each additional layer of color changes the whole. GALLERY Youngblood's, Sag Harbor, NY AFFILIATIONS Washington Sculptor Group, Washington, DC (member of the board) Washington Project for the Arts, Washington, DC InLiquid.org, Philadelphia, PA SELECTED PERMANENT COLLECTIONS American for the Arts, Washington, DC Cincinnati Art Museum, Cincinnati, OH Embassy of the Republic of Poland, Washington, DC Maison Ailleurs, Chartres, France St. Mary’s College, St. Mary’s, MD RECENT AWARDS Sondheim Semi-Finalist (2011 and 2014) Trawick Prize Finalist (2012) Maryland individual Artist Awards: Sculpture (2009) SELECTED REVIEWS Paris Review, Clairvoyant Observation (March 9, 2016) AEQAI an e-journal AEQAI.COM (November 24, 2013) Baltimore CityBeat, Baltimore, MD (May 28, 2008) Art Papers, Reviews, pg 46 (July/August 2005)
Artist featured by Saatchi Art in a collection
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