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Natural Law Painting

Oksana Berda

Canada

Painting, Acrylic on Paper

Size: 18 W x 24 H x 0.1 D in

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$470

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ABOUT THE ARTWORK

There is so much about the unknown in these paintings, I am exploring freely outside the margins of the paper pushing the eye out, making space for thinking beyond what you get to see. What is beyond what we can see? What will you do when the well-worn and trodden path ends, how will you continue? I like to think about how memory plays a part in our lives, what does it mean to remember, to revisit, to retell. Lines move, intersect and layer as a thought might run parallel to and across other thoughts or perhaps memories. These paintings can be seen as a map; a type of internal geography of emotion, tracking footsteps and paths we take more than once, feelings we feel over and over again. Challenges that reoccur and ask you have you learned anything yet? NOTES: original work; signed, titled and dated; ships flat.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Paper

Original:

One-of-a-kind Artwork

Size:

18 W x 24 H x 0.1 D in

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Oksana Berda is a contemporary abstract artist working and living in Toronto, CA. She holds a Master of Arts from the University of New Brunswick in Creative Writing, which informs the narrative quality of her work. Her paintings explore interactions between natural elements like stone, sand, water and wood. Gathering details from each landscape, she reassembles them as ghostly washes, braids of graphing pencil, and soft pastel lines which contain the forms that might otherwise stretch out and over the edge of the paper. Berda treats colour as character; in her work forms interact and converse: they are introduced, they marry and separate. The landscapes are actively constructed and deconstructed within the process and by the viewer. The mediums move with precision, yet are free and spontaneous; painting on the threshold of abstraction, Berda’s compositions embody the spirit of jazz music. Oksana Berda crosses paths with those also pursuing something intangible: the softness of her colour palette recalls that of Agnes Martin; her precise use of geometry, Frank Stella; from David Burdeny she inherits a sense of curiosity towards the natural world and shares Andy Goldsworthy’s affection for its textures. Berda is an avid hiker and gets her inspiration from trips to various parks surrounding Toronto and spending time on Lake Ontario.

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