Nevermore Painting

I like to describe myself as born and grew in Bucharest, matured in Venice and refined in London , as a joke for my closest friends. Can’t describe myself as a Romanian or Italian artist. Artistically speaking I can’t say I belong to a certain country, I like to think that my art belongs and identifies with all cultures. My subjects are universal just like art itself. I like playing at the fine border between moral and immoral, between instinct and sex, proposing shocking subjects with the intention of changing the points of view and challenge my viewers actively to respond emotionally I paint on a large canvas, as I believe the image I create must subdue the spectator, it must have the power to place him in the universe I propose, where he is powerless and must endure. Every exhibition is a social experiment. I care deeply for the thinking process that my art generates in the spectator’s mind. I find it very important that those who enter the exhibition room should be affected at a deep human level, that nobody should leave the exhibition room indifferent to the subject I have proposed. I deem this my personal visiting card. My working method is almost always based on projects made of a series of paintings, drawings, and sometimes sculptures that I elaborate upon my vision on a subject. Coherence can also be considered a characteristic of my art. As a visual artist, I consider myself a fine critic of the real world in which we live, which we do not accept, and which we do not assume. My duty is to destroy social masks and expose a personal truth.