New York Absact Reflection 2 Painting

Photoreportage is the starting point of my artistic research since 1988. Already passionate about capturing the moment, I learned to choose and highlight detail at the film development stage. The use of paint did not allow me to reproduce my feelings or to be faithful to the detail of the place. The collage of the fragments of these photographed memories then impose themselves on me as the beginning of my paintings. Who is behind this apparent reality, behind these different points of view? What do we see through the filter of our conditioning and our beliefs? A form is only an appearance, a moving reality. What the eye perceives is actually made up of emptiness and energy. Can we free ourselves from the simple form to go further beyond what we think we see?