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Night time dip Goa Mangroves - Limited Edition 1 of 4 Painting

Prakash Ambegaonkar

India

Painting, Digital on Canvas

Size: 106.7 W x 68.6 H x 0.8 D cm

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Inspired by night time dipping in the sea at secluded mangroves of Goa. The permeating distant lights barely highlight the figures. Experience a special and intimate skinny dipping. Composed of splashes and abundance of free flowing lines. All work is done digitally with electronic stylus on digit...

Year Created:

2017

Subject:
Mediums:

Painting, Digital on Canvas

Rarity:

One-of-a-kind Artwork

Size:

106.7 W x 68.6 H x 0.8 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

India.

Customs:

Shipments from India may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am an Architect by profession. After a long and rewarding career in USA, I have returned to India with my wife. Due to my childhood passion of drawing and painting I have taken a full retirement from my Architectural career and now solely devote my time to Paintings. I use a number of mediums, which include, pencils, watercolor pencils, acrylic, airbrush and digital stylus. I never use photographic or ready to use images in my digital work. Most of my work can be categorized as conceptual abstract expressionism. However, like the modern movement, I believe that a painting is a form created by an artist on a two dimensional surface. This form must be fully developed in it self and interesting and engaging in the eyes of the observer. Granted, the observer's receptors can be engaged in numerous ways and methods, I try to create that interest by taking the observer on an intimate journey of color, texture, transparency, tones, spaces, voids, solids, objective and non objective figures / symbols that may articulate my inner feelings. The process is normally spontaneous, which should show through my paintings. I would take familiar figures like a human face and break it down in to non objective /objective shapes and symbols. I can not escape the feeling content in my work. However I try not to lose my focus on the form. I believe the spontaneity riding on inner feelings shapes the outcome.

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