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Painting, Acrylic on Linen
Size: 25.6 W x 31.6 H x 0.6 D in
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$2,300
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ABOUT THE ARTWORK
As I stood before the canvas, a blank expanse of potential, I felt a surge of emotion welling up within me. Each stroke of my brush, each swirl of color, was an intimate conversation with my inner world. "Return of Flowers," as I've come to call this piece, is more than just an abstract portrayal—it is a heartfelt ode to the resurgence of beauty and vitality. The vibrant pinks and lush greens were inspired by memories of a garden in full bloom, where life awakens after a long winter. The chaotic blend of colors mirrors the wild, unrestrained growth of nature, reflecting its boundless energy and resilience. This piece is a celebration of rebirth and renewal. It speaks to the cycles of life, where even after the darkest of times, the flowers always find a way to return. In creating "Return of Flowers," I poured my soul into capturing the essence of nature's resilience. I invite you to lose yourself in this explosion of color and let it remind you of the beauty that inevitably follows hardship. May this painting be a reminder that, like flowers, we too can always find our way back to life and light.
Original Created:
2024
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Acrylic on Linen
Original:
One-of-a-kind Artwork
Size:
25.6 W x 31.6 H x 0.6 D in
Frame:
Not Framed
Ready to Hang:
No
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
South Korea.
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jiwon jang
South Korea
For me, painting is not about what it expresses, but how it is painted. In fact, without any sketch, I get caught up in emotional impulses and paint immediately on the canvas. I think of the structure of the immersive whole, but I express the parts through instant intuition and accidental repetition of the layers. I repeat until I identify myself with a scene imaged in me. I’m not interested in seeing and painting something and I‘m interested in forming the image inside me. I always contemplate nature, colors, and human emotions. It's most rewarding when, after completing a painting, I can't quite figure out how I did it. The thrill of being immersed to the point of not knowing exactly what happened, the effortless naturalness without any incompatibility, surpasses the sense of accomplishment from a meticulously calculated process. No matter how beautifully decorated a place may be, it cannot compare to the awe-inspiring presence of nature.
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