Not Painting

STATEMENT Space within the informal and a rebellious expressionism sometimes figurative, I use brushes but also random color flows, collages and assemblages of different materials on paper supports, canvas or wood carrying out a thorough research of materials even not employed in fine arts such as industrial glazes and paper napkins, or fabrics. Use for my different media studies such as photography, painting, sculpture and installation to investigate the outside world and emotions. A constant feature of mine in recent years is the collage technique as a development of the random casting of enamels and glitters of the early 2000s. I investigate the plant and animal nature, human and canine, trying to represent the ferocity that distinguishes us. I dwell on the unfathomable, the incurable, as a punk form of rebellion, in my works there is a direct emotion, spontaneous and genuine. Essential art characterized by distinct traits and influences of street art and graffiti. Being there and not appearing. Ethics of existence live with adversity. What I propose is a journey through the violence of today’s life between humanity and inhumanity, joy and discouragement, love and hatred for a life that is increasingly difficult to face especially in metropolitan cities. At the same time, my works on paper, totally abstract, propose a new approach to reality studied, reworked and presented in a simpler way. I present new solutions of living bringing back an aesthetically pure way for a theoretical-aesthetic approach to the theme. Alongside my visual work to a parallel poetic production, which develops the same themes, from 2012 to today I have published four syllabuses of poetry and three limited editions.