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David’s divinely inspired compositions excelled in many ways. His songs include both contemplative and pastoral psalms. They range from expressions of praise to narrative history, from the joys of the grape harvest to the pomp of the palace inauguration, from reminiscences to hope, from request to entreaty.

This style and the series overall is about peeling back the layers of my process. Each piece represents a musical composition, and there’s a direct transfer of my palette and textual notes onto the actual piece itself. I tend to put colors into a progression like this before I apply it to a piece, but here I wanted to skip the paper study and go straight to the linen. The work is intended to be read instead of viewed, like the single notes of a song on a page versus listening to it being played.
David’s divinely inspired compositions excelled in many ways. His songs include both contemplative and pastoral psalms. They range from expressions of praise to narrative history, from the joys of the grape harvest to the pomp of the palace inauguration, from reminiscences to hope, from request to entreaty.

This style and the series overall is about peeling back the layers of my process. Each piece represents a musical composition, and there’s a direct transfer of my palette and textual notes onto the actual piece itself. I tend to put colors into a progression like this before I apply it to a piece, but here I wanted to skip the paper study and go straight to the linen. The work is intended to be read instead of viewed, like the single notes of a song on a page versus listening to it being played.
David’s divinely inspired compositions excelled in many ways. His songs include both contemplative and pastoral psalms. They range from expressions of praise to narrative history, from the joys of the grape harvest to the pomp of the palace inauguration, from reminiscences to hope, from request to entreaty.

This style and the series overall is about peeling back the layers of my process. Each piece represents a musical composition, and there’s a direct transfer of my palette and textual notes onto the actual piece itself. I tend to put colors into a progression like this before I apply it to a piece, but here I wanted to skip the paper study and go straight to the linen. The work is intended to be read instead of viewed, like the single notes of a song on a page versus listening to it being played.
David’s divinely inspired compositions excelled in many ways. His songs include both contemplative and pastoral psalms. They range from expressions of praise to narrative history, from the joys of the grape harvest to the pomp of the palace inauguration, from reminiscences to hope, from request to entreaty.

This style and the series overall is about peeling back the layers of my process. Each piece represents a musical composition, and there’s a direct transfer of my palette and textual notes onto the actual piece itself. I tend to put colors into a progression like this before I apply it to a piece, but here I wanted to skip the paper study and go straight to the linen. The work is intended to be read instead of viewed, like the single notes of a song on a page versus listening to it being played.
David’s divinely inspired compositions excelled in many ways. His songs include both contemplative and pastoral psalms. They range from expressions of praise to narrative history, from the joys of the grape harvest to the pomp of the palace inauguration, from reminiscences to hope, from request to entreaty.

This style and the series overall is about peeling back the layers of my process. Each piece represents a musical composition, and there’s a direct transfer of my palette and textual notes onto the actual piece itself. I tend to put colors into a progression like this before I apply it to a piece, but here I wanted to skip the paper study and go straight to the linen. The work is intended to be read instead of viewed, like the single notes of a song on a page versus listening to it being played.

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View In My Room

Notes to the choirmaster: Psalms 9 Painting

Tyler Guinn

United States

Painting, Acrylic on Wood

Size: 48 W x 36 H x 3 D in

Ships in a Crate

SOLD
Originally listed for $3,500

232 Views

19

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ABOUT THE ARTWORK

David’s divinely inspired compositions excelled in many ways. His songs include both contemplative and pastoral psalms. They range from expressions of praise to narrative history, from the joys of the grape harvest to the pomp of the palace inauguration, from reminiscences to hope, from request to entreaty. This style and the series overall is about peeling back the layers of my process. Each piece represents a musical composition, and there’s a direct transfer of my palette and textual notes onto the actual piece itself. I tend to put colors into a progression like this before I apply it to a piece, but here I wanted to skip the paper study and go straight to the linen. The work is intended to be read instead of viewed, like the single notes of a song on a page versus listening to it being played.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Wood

Original:

One-of-a-kind Artwork

Size:

48 W x 36 H x 3 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Tyler Guinn is an Austin, Texas based artist and creative director. Guinn's most recognizable work in abstract expressionism is characterized by evocative texture, balanced color fields, and a strong narrative comprised of textual notes and marks. A lifetime Texan - his experiences in small business entrepreneurship and marketing guide an approach to art that is notably empathic to the audience, and abides by cross-medium design principles. His work, often described as“wall sculptures”, reach out to the viewer with an invitation to engage and respond.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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