One half of a gigantic tangerine resting on a deflated cloud can easily from a certain angle be mistaken for a fried egg Painting

Works from the latest Liberalism series are an expanded and logical continuation of previous considerations of the post-religious world with man and all pertaining in its center. In the broadest sense they strive to describe the human condition through a form of thought experiment and to deductively affirm the sense of the spirit of time, unuttered and defeatistically ignored. The result of these considerations will often seem inclined towards criticism, while being in its intent purely documentary, and as such devoid of judgement, at least to the extent of the possible. For even a name is a judgement, but such that does not influence the objective reality, very much the same as the name of an object does not influence its properties. Instead, they serve more as a catalog references of human experiences. By such analogy the works endeavor to forebode what is hidden by the collectively subjective, without sidetracks in categories of duality.