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The perfect exists only to the extent that everything in nature fits in the right way with all the ambiguities and uncertainties that make a rock the obstacle that water so wisely skirts. 
My geometrics is not intended to be perfect specimens, but rather contained spaces of order that arrange the air that is not always clear. Behind a geometric there is a normal life, with feelings that are not always perfect or the best, and that take the lead many times taking me too. I like to take advantage of casual error as part of the creative process of a framework. Sometimes let this mistake take its way and teach me and everyone else as a tribute to fragility.
The perfect exists only to the extent that everything in nature fits in the right way with all the ambiguities and uncertainties that make a rock the obstacle that water so wisely skirts. 
My geometrics is not intended to be perfect specimens, but rather contained spaces of order that arrange the air that is not always clear. Behind a geometric there is a normal life, with feelings that are not always perfect or the best, and that take the lead many times taking me too. I like to take advantage of casual error as part of the creative process of a framework. Sometimes let this mistake take its way and teach me and everyone else as a tribute to fragility.
The perfect exists only to the extent that everything in nature fits in the right way with all the ambiguities and uncertainties that make a rock the obstacle that water so wisely skirts. 
My geometrics is not intended to be perfect specimens, but rather contained spaces of order that arrange the air that is not always clear. Behind a geometric there is a normal life, with feelings that are not always perfect or the best, and that take the lead many times taking me too. I like to take advantage of casual error as part of the creative process of a framework. Sometimes let this mistake take its way and teach me and everyone else as a tribute to fragility.
The perfect exists only to the extent that everything in nature fits in the right way with all the ambiguities and uncertainties that make a rock the obstacle that water so wisely skirts. 
My geometrics is not intended to be perfect specimens, but rather contained spaces of order that arrange the air that is not always clear. Behind a geometric there is a normal life, with feelings that are not always perfect or the best, and that take the lead many times taking me too. I like to take advantage of casual error as part of the creative process of a framework. Sometimes let this mistake take its way and teach me and everyone else as a tribute to fragility.

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9

View In My Room

Out of the blue Painting

Graça Paz

Portugal

Painting, Acrylic on Canvas

Size: 70.9 W x 70.9 H x 1.6 D in

Ships in a Crate

SOLD
Originally listed for $6,250

669 Views

9

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ABOUT THE ARTWORK

The perfect exists only to the extent that everything in nature fits in the right way with all the ambiguities and uncertainties that make a rock the obstacle that water so wisely skirts. My geometrics is not intended to be perfect specimens, but rather contained spaces of order that arrange the air that is not always clear. Behind a geometric there is a normal life, with feelings that are not always perfect or the best, and that take the lead many times taking me too. I like to take advantage of casual error as part of the creative process of a framework. Sometimes let this mistake take its way and teach me and everyone else as a tribute to fragility.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

70.9 W x 70.9 H x 1.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My painting began in the sweetest memory of my childhood of seeing my father always in love with music. He worked with classical music all his life and had a vinyl shop were I went to help him many times, and I remember the days when he came home late and closed himself to his zen moment and flooded our beds with Chopin, Bach and Ravel. When I started painting, first figurative, my search was always on abstracts, like a first love, so It all made sense when a kind of bridge built itself in the perfect timimming, between my work and music and the power of abstraction as a unique and individual inner sound.. When I was ready and had the courage to start painting abstract, I immediately perceived the intellectual demand that my choice brought me. There was behind the chosen forms a deep sense of being. That was when Bach came and gave meaning to my work. He brought me back the memories of my father's music, and that was the leap to interpret my favorite compositions on canvas like a golden hand that was given to me by fate, as in a dialogue between me and the composer or interpreter. It has become an exchange of emotions and the beginning of a long road leading me to the light in all themes that my interior need to provide, with the knowledge that it takes only one man to change something for the better in other people's lives. Art comes to the artist as a responsibility to serve. My name*s meaning conjuncts Grace (Graça) and Peace (Paz) and I born at 4 of March 1967 in Porto, and l presently live and works in the Rural north of Portugal in Minho.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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