66 Views
2
View In My Room
Painting, Ink on Paper
Size: 29.5 W x 78.7 H x 0.1 D in
Ships in a Tube
66 Views
2
Showed at the The Other Art Fair
Artist featured in a collection
This is one of the scrolls I planned to exhibit at The Other Art Fair Brooklyn 8-11 November. It can stand alone but, I think, works well as a pair with Pale Blue Stroke Scroll I. I have been developing this idea for a while and thought it would be a good place to show some of them. I’ve long been fascinated by scrolls and screens: the storytelling aspect and the shapes when hung. They travel easily, can be displayed and stored for either private or public use and their location will always influence how they are viewed. Making them resonates with a time in my life when I led a very peripatetic existence and I like the possibilities that presents. This pair is developed on watercolour paper from an earlier study of a memory of music with a close connection to my father who died many years ago. It can either be hung loose or framed: I am selling it unframed for practical shipping.
2018
Ink on Paper
One-of-a-kind Artwork
29.5 W x 78.7 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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United Kingdom
Caroline is an Anglo-French artist now based in London after living in India and China for several years. Her work centres around the energy and memory of gesture and this includes a fascination with the circle, the most elemental and universal shape in nature and in every culture on earth. It is also the largest shape any human can make with their body. She discovered Neolithic Chinese Bi, nephrite discs known to be extremely important but utterly mysterious. This concept of loss and importance resonated with her at a time of personal bereavement and the use of the shape is a key part of her visual vocabulary. Observational drawings of conductor Marin Alsop in rehearsal with the BBC Symphony orchestra for various concerts including music by Shostakovich and Sir James MacMillan, sport, quantum mechanics and most recently experiments in virtual reality all contribute to her exploration into the energy of movement, memory and the connection of all things. Caroline uses the expressive gestural qualities of brush and ink combined with gesso, paint, gilding and piercing in a process that develops over time. As in life, chance and working on the edge of control play their part. Her work reflects an ongoing process of meditation and reflection on the universally powerful yet fugitive nature of memory and the existence of gestures and traces that would otherwise be lost. The importance of something indefinable in language which is common to all, regardless of background or culture. We make marks to prove we exist and the energy this takes exists forever. In addition to making art, Caroline shares her celebration of creativity in a weekly blog, readable in 1 minute and found on her website. Just search for Caroline Banks Art.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, Brooklyn, New York, London, London, Bristol, Los Angeles
Artist featured by Saatchi Art in a collection
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