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On my way to the neighbour village named Lüchow I pass a small glacial formation that is probably called kettle hole, in German "Soll". Eventually, it is a small pond, often almost dry,  with croakers and bird living there. Derived from the memories of my passing-byes I tried to reconstruct it in my studio – this is the result. I find my horizon, impatience and hurry in it (I'm teaching piano-lessons in Lüchow and have to be in time), the eye-movements from checking if everything is in place. Bits and glances that find fragile balance and some sort of generic term in this fine painting.
On my way to the neighbour village named Lüchow I pass a small glacial formation that is probably called kettle hole, in German "Soll". Eventually, it is a small pond, often almost dry,  with croakers and bird living there. Derived from the memories of my passing-byes I tried to reconstruct it in my studio – this is the result. I find my horizon, impatience and hurry in it (I'm teaching piano-lessons in Lüchow and have to be in time), the eye-movements from checking if everything is in place. Bits and glances that find fragile balance and some sort of generic term in this fine painting.
On my way to the neighbour village named Lüchow I pass a small glacial formation that is probably called kettle hole, in German "Soll". Eventually, it is a small pond, often almost dry,  with croakers and bird living there. Derived from the memories of my passing-byes I tried to reconstruct it in my studio – this is the result. I find my horizon, impatience and hurry in it (I'm teaching piano-lessons in Lüchow and have to be in time), the eye-movements from checking if everything is in place. Bits and glances that find fragile balance and some sort of generic term in this fine painting.
On my way to the neighbour village named Lüchow I pass a small glacial formation that is probably called kettle hole, in German "Soll". Eventually, it is a small pond, often almost dry,  with croakers and bird living there. Derived from the memories of my passing-byes I tried to reconstruct it in my studio – this is the result. I find my horizon, impatience and hurry in it (I'm teaching piano-lessons in Lüchow and have to be in time), the eye-movements from checking if everything is in place. Bits and glances that find fragile balance and some sort of generic term in this fine painting.
On my way to the neighbour village named Lüchow I pass a small glacial formation that is probably called kettle hole, in German "Soll". Eventually, it is a small pond, often almost dry,  with croakers and bird living there. Derived from the memories of my passing-byes I tried to reconstruct it in my studio – this is the result. I find my horizon, impatience and hurry in it (I'm teaching piano-lessons in Lüchow and have to be in time), the eye-movements from checking if everything is in place. Bits and glances that find fragile balance and some sort of generic term in this fine painting.
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Passing a Kettle Hole Painting

Christian Kabuß

Germany

Painting, Acrylic on Wood

Size: 16.9 W x 17.7 H x 1.5 D in

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Originally listed for $730
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About The Artwork

On my way to the neighbour village named Lüchow I pass a small glacial formation that is probably called kettle hole, in German "Soll". Eventually, it is a small pond, often almost dry, with croakers and bird living there. Derived from the memories of my passing-byes I tried to reconstruct it in my studio – this is the result. I find my horizon, impatience and hurry in it (I'm teaching piano-lessons in Lüchow and have to be in time), the eye-movements from checking if everything is in place. Bits and glances that find fragile balance and some sort of generic term in this fine painting.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:16.9 W x 17.7 H x 1.5 D in

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Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.

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