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Perfect Apple Painting

Pierre Leichner

Canada

Painting, Acrylic on Canvas

Size: 16.1 W x 12 H x 0.6 D in

Ships in a Box

$313

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Humans are probably the most invasive and damaging animal species to our planet’s ecology currently. One development is the creation of poor soil fertility by the killing of earth worms indirectly by the toxic agrochemicals farmers use on their crops to increase yields and the marketability. The goa...

Year Created:

2022

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

16.1 W x 12 H x 0.6 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

Need more information?

Need more information?

While we live in a period of unprecedented wealth, poverty and hunger persist. We are increasingly aware of our environment, but we continue to damage it. Despite significant advances in our understanding of human disease, we struggle to provide person-centered care and promote health. Participation in the arts promotes the health and well-being of individuals and their communities. It is therefore essential that artists work with their communities to explore the health issues facing humanity. In 2002, Pierre Leichner left a thirty-five-year career as a university psychiatrist to study fine arts at Emily Carr University (Vancouver, BC). In so doing, he broke away from what he saw as a dehumanized healthcare system, while fulfilling a long-held dream. During his art studies, Pierre became aware of the many similarities between science and art, which share the aim of examining the foundations of human existence. He also realized that art had lost its place to science, business, and entertainment as a tool for understanding. Following the completion of his Master of Fine Arts/Sculpture at Concordia University (Montreal, QC) in 2011, he devoted himself to his life as an artist. He founded the Vancouver Outsider Arts Festival in 2017, dedicated to marginalized visual and performing artists, for which he is still artistic director. He is also a member of the Connection Salon collective and sits on the board of the Community Arts Council of Vancouver. His current projects, fusing science and art, illustrate his interdisciplinary approach. His paintings on doors explore gravitational waves and black holes, while his BioArt works with earthworms denounce the harmful effects of agrochemicals on soil fertility. In cultural mediation, his ephemeral installations underline our need to reconnect with nature, while his series of hand and foot sculptures address the socio-political challenges of immigrants and refugees. As a member of the Connection Salon collective, he organizes the Art Talks in Plain English Series to democratize knowledge and bring academic fine art closer to the community.

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