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Acrylic on MDF

I was also caught up in the reddish-golden mood of autumn.

When I’m painting with wax, because of the characteristics of the material, I had to consider every stroke. First, I have to decide which colour I want to use and where I want to use it, because the wax dries quickly on the brush too, not just on the picture. Therefore, using acrylic is a meditative activity where I can follow my spontaneous ideas and go with the flow. This is how these abstract organic forms are born from my unconscious and my very strong and often dominant rational self gives meaning and lifts them from the total abstraction.
Acrylic on MDF

I was also caught up in the reddish-golden mood of autumn.

When I’m painting with wax, because of the characteristics of the material, I had to consider every stroke. First, I have to decide which colour I want to use and where I want to use it, because the wax dries quickly on the brush too, not just on the picture. Therefore, using acrylic is a meditative activity where I can follow my spontaneous ideas and go with the flow. This is how these abstract organic forms are born from my unconscious and my very strong and often dominant rational self gives meaning and lifts them from the total abstraction.
Acrylic on MDF

I was also caught up in the reddish-golden mood of autumn.

When I’m painting with wax, because of the characteristics of the material, I had to consider every stroke. First, I have to decide which colour I want to use and where I want to use it, because the wax dries quickly on the brush too, not just on the picture. Therefore, using acrylic is a meditative activity where I can follow my spontaneous ideas and go with the flow. This is how these abstract organic forms are born from my unconscious and my very strong and often dominant rational self gives meaning and lifts them from the total abstraction.
Acrylic on MDF

I was also caught up in the reddish-golden mood of autumn.

When I’m painting with wax, because of the characteristics of the material, I had to consider every stroke. First, I have to decide which colour I want to use and where I want to use it, because the wax dries quickly on the brush too, not just on the picture. Therefore, using acrylic is a meditative activity where I can follow my spontaneous ideas and go with the flow. This is how these abstract organic forms are born from my unconscious and my very strong and often dominant rational self gives meaning and lifts them from the total abstraction.
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Perspective Painting

Dora Stork

Hungary

Painting, Acrylic on Wood

Size: 19.7 W x 19.7 H x 0.1 D in

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SOLD
Originally listed for $380
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About The Artwork

Acrylic on MDF I was also caught up in the reddish-golden mood of autumn. When I’m painting with wax, because of the characteristics of the material, I had to consider every stroke. First, I have to decide which colour I want to use and where I want to use it, because the wax dries quickly on the brush too, not just on the picture. Therefore, using acrylic is a meditative activity where I can follow my spontaneous ideas and go with the flow. This is how these abstract organic forms are born from my unconscious and my very strong and often dominant rational self gives meaning and lifts them from the total abstraction.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

„I show the details instead of the whole, sort of inviting the viewer to embrace and understand their surroundings” Dora Stork was selected artist in the London Art Biennale in 2023, an award-winning Hungarian painter whose art has appeared in solo and group exhibitions in the UK, Hungary, and Romania. Her work can also be found in many private collections in the United States, the European Union, and Japan. Dora is an abstract realistic encaustic artist: abstract in the world of color, realistic in the world of form, and symbolist in meaning. As a politically minded painter, she is interested in public life as well as social and economic processes. She presents her particular vision in these works. The dreamlike compositions are her intuitive reflections on public issues. At the same time, seemingly astonishing, strange circumstances and inappropriate details on a rational sphere might evoke questions in the viewer. She mainly uses pure wax and pigments to make her paintings. Over the years, she has developed a medium that does not contain oil or any non-waxy additives. When she occasionally paints with acrylic, the characteristics of her figurative style transform into an imaginary interpretation of nature. Dora is an active, awarded member of her community and regularly takes part in their group exhibitions every year.

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