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Pier Stroll Painting

Tatyana Fogarty

United States

Painting, Oil on Canvas

Size: 20 W x 16 H x 0.1 D in

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$1,640

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ABOUT THE ARTWORK

An inviting impressionist seascape, with wonderful amounts of detail in the legs of the pier and strolling people. Violet clouds overhead give way to gently rolling waves. Surrounded by the ocean, hearty breezes often blow on these windows on the world. Everything is so amplified on a pier, from the smell of the ocean to the sight of seagulls swooping by as fisherman clean their catch in the basins. Surfers enjoy the break here, too, but the wide sandy beach is attractive for just about any activity. The next time you’re visiting the coast, take time to stroll on the pier. It’s one of the most enjoyable activities around. Oil on oil primed Claessens Belgian linen canvas on 1/8 MDF archival art panel, finished with melamine backing that prevents warping and deterioration. Painting surface is protected with a coat of Gamvar varnish. Painting is unframed and requires a frame to hang.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

20 W x 16 H x 0.1 D in

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Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Signature member of American Impressionist Society (AIS),Signature Member of Laguna Plein Air Painters Association (LPAPA); and an Artist Member of California Art Club (CAC). All my childhood and youth I lived and breathed music. The transition from playing piano to transferring this inner music on canvas with oil paint happened later in life. I see my art as visual music. I try to bring it to life with harmonious colors, which emanate joy and peace. I infuse each of my brush strokes with its own kind of melody. My hope is that the viewers will hear the sounds and rhythms of that music as they look at my work, and it will generate the same emotions and connections that I had when painting that piece. I am inspired by the way light shapes the landscape, and I strive to capture it on canvas. I often paint en plein air (on location), which allows me to use all my senses to interpret a scene in front of me with a sense of immediacy and honesty. I choose to paint in oils, because I love their robust quality of bright, luminous colors, which are easily bendable and capable of retaining texture and showing brushstrokes. My favorite starting point for the landscape painting is the golden light of late afternoon, known as the “magic hour”, which creates the most intriguing and fascinating effects by merging captivating shadow patterns and warm, luminous color of the setting sun.

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