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View In My Room
Painting, Ink on Paper
Size: 15.4 W x 19.3 H x 2 D in
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Il tema del lavoro è il gioco. Tre mani giocano con delle palline in un tempo antico. È il medioevo, in un disegno tratto da una pittura miniata di un libro. Il gioco ci serve per rimanere bambini, per rimanere esseri originali e seguire la nostra anima. Il 12 è un numero importante che richiama cicli e misticismo. Qui il 12 è una stella in cui ogni punta è un modo di sentire il mondo: sono i sensi steineriani. Non sono più 5 ma molti di più e coinvolgono delle parti sottili di noi che riguardano anche il movimento, l'equilibrio, lo stare con se stessi e con gli altri. Il lavoro è eseguito su carta di pergamena con pennino e inchiostri e poi ritagliata, questa viene poi applicata nella sua forma di stella ad un sari di seta preziosa. È come una finestra in cui vediamo il mondo buono, bello e giusto.
2024
Ink on Paper
One-of-a-kind Artwork
15.4 W x 19.3 H x 2 D in
Not Framed
Yes
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I come from two generations of painters and in my turn, I have tried to 'be' an artist by painting and participating in the art world. In 1996, even before completing my training as a Master of Art in Painting, I started exhibiting at public institutions and galleries and had my first teaching experiences. I have always felt the need to get out of the everyday: I have stayed many times in India, Brazil and Morocco for several months where I realised artistic and didactic projects. On my path of artistic and personal growth, I learnt to use my wounds to try to help others through art and beauty. I realised that by joining with high energies I could give myself to people and the world to 'be' an artist. I thus created a path by no longer thinking through the dynamics of an oppressive system, but by going towards a world in need of transformation and awakening. For me, the way to go in that direction is linked to the world of gaming: through our hands and bodies we live the experience that moves the invisible parts of us. Over time, my art has not remained still in itself, but has evolved to become 'social art' in the sense that the great German artist Joseph Buys intended: an art opposed to individualism that espouses the concept of democratisation and opens up to the public, to the group, to the shared realisation of the work as in my latest works. Today I aspire to the 'spiritual of art' that Kandinsky referred to, which leads to change and the evolution of the self. I currently work in education and training with children, adults and people with disabilities. I invent, construct and use my games together with art therapy as a method of personal and group development.
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