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Every morning I feel that,we are all consumed within in favour of our flesh, we are taking breakfast as a fuel for our flesh, earn a living to nourish our flesh, looking for safety to protect our flesh or rape, do crime, and kill for flesh; punish, sacrifice living flesh. As a woman, I know how much flesh I am carrying, when someone looks at me as an object, treats me as an object. I always take red as a symbol of “scream” and apply the colour with my hands on canvas as if I am searching for myself within. I do not act clever when I paint, I do not look for corrections because I know how my emotions are mixed with my paintings.


Title-Prevalently Censored 
Acrylic on canvas 
Size- 7'x5' Feet.
Every morning I feel that,we are all consumed within in favour of our flesh, we are taking breakfast as a fuel for our flesh, earn a living to nourish our flesh, looking for safety to protect our flesh or rape, do crime, and kill for flesh; punish, sacrifice living flesh. As a woman, I know how much flesh I am carrying, when someone looks at me as an object, treats me as an object. I always take red as a symbol of “scream” and apply the colour with my hands on canvas as if I am searching for myself within. I do not act clever when I paint, I do not look for corrections because I know how my emotions are mixed with my paintings.


Title-Prevalently Censored 
Acrylic on canvas 
Size- 7'x5' Feet.
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Title Omitted Painting

Rifat Ara Mim

Bangladesh

Painting, Acrylic on Canvas

Size: 84 W x 60 H x 0.2 D in

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$3,070

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About The Artwork

Title Omitted Acrylic on Canvas 2021. A series of rapes that occurred after the outbreak prompted me to speak up. I looked at some examples of historical rape paintings. Surprisingly! You could be excused for thinking that rape was a romantic, passionate, and dramatic affair that ultimately improved society if you looked at their canvases and thought about the stories behind them. And that left me with a question: Are we the most spammed humans in history? In this painting, I set out to convey the sense of having to hide women's participation in a culture that celebrates the consumption of human flesh and the resulting censorship.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:84 W x 60 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ever since I can remember, I have enjoyed drawing. For me, using art to depict the behaviors and feelings that precede disaster is crucial. The line where safety and dread coexist is what I'm searching for. I was born and raised in Bogura,Bangladesh.After completing my pre-degree program in Bachelor of Art at Bogura Art College, I embarked on a journey of self-discovery as a self-taught artist. This path led me to explore various styles and techniques, allowing me to carve my unique niche in the art world. Embracing the freedom of freelancing, I immersed myself in the art community and actively participated in numerous group shows. Recently, my artistic focus has shifted towards the theme of sisterhood. Growing up as a single mother's child, I hold a profound belief in the empowering dynamics between women. Through my work, I strive to depict the strength and resilience inherent in the bond shared by sisters. Each stroke of my brush is a testament to the interconnectedness of women, their shared experiences, and the support they provide one another. As I continue to explore the realms of art, my goal remains to convey the intricate stories of human relationships, emotions, and the fine line between security and apprehension. My journey as an artist is a continuous evolution, driven by a deep-seated passion for capturing the complexities of the human experience through the lens of creativity.

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