VIEW IN MY ROOM
RED CROSSINGS A Limited Edition Print #2/30 Painting
United States
Painting, Acrylic on Other
Size: 59 W x 39 H x 0.1 D in
Ships in a Tube
About The Artwork
RED CROSSINGS - A Limited Edition Print #2/30 Entangled in everyday; trying to find solutions or at least a path...RED CROSSINGS shares the drama, emotion, fear and fight to come out on top. With swirls, twists and turns created by the flip of a wrist, this piece is a fabulous point of interest in a library, tech room, game room etc. It is presented on archival, museum quality, low lustre paper ensuring the quality of color for a lifetime. Border: A 1" White Border surrounds this print for ease of handling The Paper: This PRINT is produced on award-winning 100% cotton smooth fine art paper, Moab Entrada, which insures your vision to print through superb ink handling and sharpness. Entrada is an archival lignin and acid-free paper with an expanded color gamut and natural contrast.
Details & Dimensions
Painting:Acrylic on Other
Original:One-of-a-kind Artwork
Size:59 W x 39 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Judith Lindenberg is a Southern California gal, born and raised in the Los Angeles area. Growing up in a musical household, her mother was a classical pianist, a composer and lyricist. Her dad, a man of medicine first and foremost but with a love for music, was one of the founders of the Doctors’ Symphonic Orchestra of Los Angeles. He played just about every instrument he picked up but had a passion for the flute and piccolo. So, with this musical home and family environment and a personal love for all things natural, from birds to trees, to stones and leaves, Judith began to forge her career in art at a very early age. She has committed most of her time to her own studio, creating pieces where the musical influence can be clearly seen. On the flip-side, her collages include branches, leaves, fossils and stones; rubbings from pieces of marble and slabs of tree trunks. Her commissioned work is created and sold through her own studio, rarely seeking gallery exposure.
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