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About The Artwork
“Reglas, regladas” it is inspired by the use of the hyperbolic paraboloids in the architecture, and its relation with the roof and the sky. This canvas is the eleventh piece of the serie "Outside the box" wich gives rise to the link between painting and architecture developed throughout this serie, in which the window is seen as a metaphor and symbol, inviting us to understand the proposed box together with the keys that make it an element of relationship between interior and exterior. This shows the need to relate representative structures back and forth, thus the content that emerges from these structures displays a plastic language linked to the architectural language itself, paying special interest to space as such throughout the progression of the work.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:47 W x 55 H x 1 D in
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Spain
Rodrigo as known as Erre is an architect and a graduate in fine arts, this is something that can be deduced when paying attention to his painting, which explores the relationship between painting and architecture through compositions that seek meeting points between the two, for this he does not hesitate to review with great interest the development of these throughout history, in order to discover the evolution of different ideas that have led him to opt mainly for the relationship between light and geometry. For almost a decade his interest in the aforementioned concepts, especially light as an intangible material to compose, is reflected through predominantly abstract compositions, with numerous keys from the history of architecture. Little by little the development of his painting, like architecture itself today, is taking more interest in the landscape and the environment that surrounds it and therefore it is possible to intuit a formal evolution from its mostly abstract starting point to his current painting in which there is a certain approach towards figurative.
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