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Painting, Oil on Canvas
Size: 96 W x 96 H x 0.1 D in
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This is one of the biggest and latest works done during my time in grad school, when I was experimenting with a painting process that used a cubist or surrealist two dimensional, multi-orientation compositional process and found figures in space photography. This painting was done for a class with Nicola Verlato in which we used his process of drawing and 3D modeling first along with a monochrome underpainting, which clashed interestingly with my own Deterration concept, although weightlessness and chiaroscuro were part of both. This work also absorbed some intense heartbreak I was experiencing at the time.
2009
Oil on Canvas
One-of-a-kind Artwork
96 W x 96 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
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Buy direct at bruesselbach.square.site Janet was raised by optical physicists near Los Angeles in the 1980s and 90s, and now lives and works in Queens, New York City. It started oil painting young, focusing early on figuration, and inspired by science fiction literature. Its work melds human intimacy celebrating diverse personalities with radical relationships to technology, particularly exploring queer experience. Janet's strengths are in portraiture, oil paintings as artifacts of live sittings that transform the subject as they want to be seen, and it is open to commissions. It also incorporates and generates elements of organic abstraction and psychedelic imagery, as in Paleofacture, an exploration of evolutionary history and the permeable boundary between natural and artificial. Janet made a child in 2022 who is also an ongoing labor of creation. Its newest project is Analog Imagination, in which surreal paintings are based on verbal prompts submitted through its website.
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