View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
An original ink painting on Chinese mulberry paper, with a 24carat gold leaf embellishment. The painting has been traditionally mounted with archival wheat paste to a substrate of Fabriano cartridge (120gsm) on a circular birch panel. The egdes of the panel are bees wax polished wood and the painting is resin coated. It is hung by the method of a split baton, floating it away from the wall.
Painting:Ink on Paper
Size:43.3 W x 43.3 H x 3.1 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Process is central within the painting practice of Rod McIntosh. His mark making has a fluidity and honesty that reveals itself through a muted pallet of monotones. This lends the work a striking and minimal appearance, which coalesces with the quiet sensitivity to his materials, time invested and action. Presence and concentration is key to his practice in cultivating a meditative quality. Examining his temporal gestures, alongside ideas of mindfulness, permanence, attachment and acceptance. For McIntosh the provenances and particular characteristics of each material are of great importance. Following closely traditional eastern recipes for archival inks and pastes he works upon delicate Chinese papers that absorb every fluid gestural movement as he accepts the brevity of a final committed action. With his body, the breath along with materials, and repetitive often-obsessive processes, focuses an attention to the present. Observing and recording the moment of creation within a continuum. He speaks of them as; “Physical meditations, that offers himself, and the viewer, a moment to pause.”
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