Rhythm Painting

Introduction to my art The importance of this artwork is hard to judge, because the conversation itself can travel in circles. To help to break this cycle, let’s introduce some names; Jesus Christ. Guru Nanak. Buddha. Krishna. Muhammad. Moses. For Science you have; Charles Hilton. Edwin Hall. Henri Poincare. Isaac Newton. Steve Hawkins. Thomas Edison. August Möbius. Nicola Tesla, and Einstein. For Philosophy you have; Aristotle. Plato. Rene discards. Giorgio Bruno, and Freud. And for Art you have; Salvador Dali. Leonardo da Vinci. Pablo Picasso. All these wonderful people have one thing in common; Either they energized the fourth dimension, or they tried to study/ paint it. Thus, it is an important subject, within the different sectors ; Science, religion, philosophy, art. By studying these mathematical formulae, the following questions can be studied; 1. What is the crucial difference between the third dimension and other dimensions? 2. Are all equals the same? 3. The law of polarisation? 4. The law of position? 5. The law of entrance? 6. What are the sizes of other dimensions and how do they compare to the third dimension? 7. Does the law of supply and demand apply in other dimensions and if so what does it look like? 8. What is the Primal overall Direction of the force? 9. We have three primary colours which we know. What are the primary colours in the other dimension? 10. Can we Express loudness in a 2-dimensional form? What a fantastic time to be alive!! Description 1​​ ​​ 1 Mallarmé and a Proffer of Silence 2 Cézanne: Depth in the World 3 Proust through the Fold of Memory 4 Debussy: Silence and Resonance 5 Cézanne and the Institution of Style 6 Proust: In Search of the True Albertine 7 Harmony and the Movement of Style in Debussy 8 On the Musical Idea of Proust 9 Debussy: The Form That Has Arrived at Itself 10 Synesthesia, Recollection, Resurrection It takes some time to get into the rhythm - and to slow the flow of thought: A qualitative study about experience of time and narrative in psychological interventions in general practice ​Confessing out the soul to conform to the rhythm of thought ​ Much critical writing about the Beat Movement has focused on the strong interrelationship between the literary and social discourses within and around the movement. However, the study of Beat literature also necessitates an awareness of its position within the literary discourse of the twentieth century. Beat writing may be seen as standing in the unstable, shifting territory between two equally unstable, shifting literary movements: modernism and postmodernism. Beat poetry pits itself against high modernism and the New Critical tradition, draws upon some aspects of early avant-garde modernism, and simultaneously remoulds these aspects into what may be regarded as the beginnings of postmodernism in the USA. This article presents a reading of Allen Ginsberg's Beat poetry against this literary-historical background. A brief general overview of some of the key characteristics of Beat poetry is given, followed by a discussion of a number of Beat poems, organised around some salient features of Ginsberg's Beat poetry that may be linked to Beat poetry's position in the transition from modernism to postmodernism.

Painting:Gouache on Bronze

Original:One-of-a-kind Artwork

Size:48 W x 48 H x 1 D in

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.