VIEW IN MY ROOM
Russia
Painting, Acrylic on Canvas
Size: 39.4 W x 27.6 H x 1 D in
Ships in a Tube
The property of culture is such that when something rebellious against it appears in it, it eventually becomes just another part of the culture. The underground is becoming pop. Whatever elite culture you consume, you will remain part of the mass. This is a portrait of the writer Frederic Beigbeder, one of my favorite writers. His rebellion, his position as a reflective rebel also eventually became part of popular culture, brought him success. This is not bad, this process is absolutely appropriate in the modern world and in culture in general. Our culture at the end of the 20th century, the beginning of the 21st is a riot, a riot has become a part of pop-culture. Splitting into small pixels, into many repeating rectangles is a metaphorical representation of the materiality of the modern world. Whatever the creator comes up with, it will be decomposed into its components and become just one of multitude. Here I have encrypted many other interesting thoughts, all of them can be considered and solved. The artwork is filled with references and ideas - about modernity, riot, culture, postmodernity, etc. Painted in acrylic on canvas. Unframed
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 27.6 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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Russia
I explore the themes of human manifestation, self-expression and individuality, psychological freedom. On the canvas, I strive to show the relationship between the external cultural world and the internal psycholonic experience of liberation, becoming oneself, using for this the effects of a surreal amplification of reality
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