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'River Bend Grand Canyon 2' Painting
United States
Painting, Oil on Canvas
Size: 30 W x 40 H x 1.5 D in
Ships in a Crate
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About The Artwork
'River Bend Grand Canyon' is a 40"x30" expressionist landscape oil on gesso-prepared canvas gallery wrapped over center-braced stretcher bars. This artwork is a painting depicting a grand, canyon-like landscape. The perspective is from an arial view into the gorge carved by the meandering blue ribbon of the Colorado, contrasting with the warm tones of the rocky terrain. The palette is dominated by rich, warm hues— shades of red, orange, and purple suggest the interplay of light across the rugged landscape. The colors are bold yet nuanced, capturing the natural beauty and depth of the canyon. Paint texture is smooth, with little indication of brushstrokes, giving the artwork a serene quality. The composition is skillfully balanced between the vast expanses of rock formations and open sky. Foreground details include a cluster of greenery, adding a touch of life to the otherwise barren geological vista. These plants provide scale and contrast against the earthen tones. The overall effect is a serene and contemplative representation of a majestic landscape. 'River Bend' will be crated and shipped in a free gallery-style frame originally made for its protection and my own gallery display prepared for hanging with its certificate of authenticity included.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:30 W x 40 H x 1.5 D in
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Loren Dunlap’s innovative two-dimensional design program at John Herron Art Institute in Indianapolis was an early influence that persists today in my approach to painting. It gave me a unique foundation – a specific point of view. After two years at Herron, I received a scholarship from Tulane University’s Sophie Newcomb in New Orleans. The Abstract Expressionists were all the rage in ‘the art world’ then; DeKooning and that crowd. (One of the most celebrated, Helen Frankenthaler, while only briefly my instructor at Newcomb, absolutely changed my way of thinking about the making of art.) From Tulane, I was selected to work on the Owenite restoration Project in New Harmony, Indiana and was an adviser and instructor for the Blaffer Foundation Art Project that followed. I came to Hawaii by chance in the summer of nineteen seventy-eight and began a long-lasting affiliation with Lynn Shue and her Village Gallery Contemporary in Lahaina. I have been a resident of Maui ever since. [Since the summer of 2014 I have also been spending part of each year in Arizona and working out of my studio there.]
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