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Rossy de Palma's first major role was in 1988 in Pedro Almodóvar’s Women on the Verge of a Nervous Breakdown. She became a model for designers Jean-Paul Gaultier, Thierry Mugler, and Sybilla. She then appeared in Robert Altman’s 1994 satirical fashion film Prêt-à-Porter and in the music video of George Michael's "Too Funky" song. Today, she is a theater actress, charity spokesperson for the Ghanaian charity OrphanAid Africa, and the face of luxury ad campaigns.

Born in Palma de Mallorca, she was originally a singer and dancer for the band Peor Imposible before being discovered by filmmaker Pedro Almodóvar at a café in Madrid in 1986. She is best known for her roles in Almodóvar films like Law of Desire (La ley del deseo), Kika, Women on the Verge of a Nervous Breakdown (Mujeres al borde de un ataque de nervios), The Flower of My Secret (La flor de mi secreto), and Julieta.
Rossy de Palma's first major role was in 1988 in Pedro Almodóvar’s Women on the Verge of a Nervous Breakdown. She became a model for designers Jean-Paul Gaultier, Thierry Mugler, and Sybilla. She then appeared in Robert Altman’s 1994 satirical fashion film Prêt-à-Porter and in the music video of George Michael's "Too Funky" song. Today, she is a theater actress, charity spokesperson for the Ghanaian charity OrphanAid Africa, and the face of luxury ad campaigns.

Born in Palma de Mallorca, she was originally a singer and dancer for the band Peor Imposible before being discovered by filmmaker Pedro Almodóvar at a café in Madrid in 1986. She is best known for her roles in Almodóvar films like Law of Desire (La ley del deseo), Kika, Women on the Verge of a Nervous Breakdown (Mujeres al borde de un ataque de nervios), The Flower of My Secret (La flor de mi secreto), and Julieta.
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Rossy News Painting

Leonardo Montoya

United States

Painting, Oil on Canvas

Size: 48 W x 36 H x 2 D in

Ships in a Crate

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SOLD
Originally listed for $5,550
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About The Artwork

Rossy de Palma's first major role was in 1988 in Pedro Almodóvar’s Women on the Verge of a Nervous Breakdown. She became a model for designers Jean-Paul Gaultier, Thierry Mugler, and Sybilla. She then appeared in Robert Altman’s 1994 satirical fashion film Prêt-à-Porter and in the music video of George Michael's "Too Funky" song. Today, she is a theater actress, charity spokesperson for the Ghanaian charity OrphanAid Africa, and the face of luxury ad campaigns. Born in Palma de Mallorca, she was originally a singer and dancer for the band Peor Imposible before being discovered by filmmaker Pedro Almodóvar at a café in Madrid in 1986. She is best known for her roles in Almodóvar films like Law of Desire (La ley del deseo), Kika, Women on the Verge of a Nervous Breakdown (Mujeres al borde de un ataque de nervios), The Flower of My Secret (La flor de mi secreto), and Julieta.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 36 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I believe that the universal language of the arts can break through cultural and personal barriers bringing us closer together as human beings. I was raised by a strong and loving community of women. They have been a big influence throughout my life. Common themes represented in my work are cultural diversity, gender equality, race and the empowerment of women. I offer my perspective about the characters that I portray that remain close to my heart. Portraying the uniqueness and strength of the individual allows me to speak to the sameness of our humanity in parallel to the beauty of our cultural differences. I do this with a deep sense of respect and admiration for the characters I choose to portray. As a Latino living in the US half of my life creating my own identity has become one of the many challenges in my artworks. Things like education, family, money, politics, religion, and sex; all these topics have affected my life and career. All those things help to define who we are; But, our nature is complex and should not be a label for the social need to look for acceptance. I think we all are multi-dimensional. I always admired beauty, but not only in the obvious stereotype. I always find beauty in the oddest of subjects. Color, lines, composition, and style are important things to consider when I chose an image or character to portray. As years passed by, I have found my inner voice. I believed that what makes us equal is that we are all different. Leonardo Montoya

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