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Painting, Oil on Canvas
Size: 21.3 W x 25.6 H x 0.8 D in
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The canvas painting done by the artist Pascal LAURENT was done in his studio from his field notes taken during a stay in Somme The oil painting is spread with a knife. Pascal LAURENT is a painter first of all self-taught then for 8 years he studied painting and drawing with Henriette Adriensence. He then ran an adult course for 5 years. Today he has behind him 35 years of practice and has made many sales in group or personal exhibitions or art painting fairs. You can see more on my website:
Oil on Canvas
One-of-a-kind Artwork
21.3 W x 25.6 H x 0.8 D in
Not Framed
Not applicable
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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France.
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Born in Angoulême, Charente (France) in 1956. I live and work in Bures sur Yvette (Essonne - France) Supports used: Paintings and collages on canvas, drawing pastel. Work presentation: Painting is primary the colour and the white of the canvas. Then it's an idea or a subject. It may be an idea arising from the colour on the white of the canvas, or a subject that becomes a pretext for colour on the canvas. There are topics that inspire, motivate, encourage. Landscapes with these invading greens that glide from yellows to blues, which climb into the sky that reach the waters, which lead to orange and red contrasts. Self-portraits, free for drawing and colouring with a self-satisfied subject. Free improvisations only conducted by the material and the palette. But the subject is not the painting. The subject is the pretext not the purpose. So, everything can build a picture: the everyday, the humble, the ordinary become colours. In recent years, I have great pleasure working outdoors which led me to paint mostly landscapes. I settle in solitude, in front of a landscape, alone like a fisherman with his fishing line, and for two hours I contemplate a tree, a river, a beach: smells of plants, water, sea; sound of wind, birds, nature. But a nature without human and full of his traces, physical or sensitive vestiges. I prefer then to use the fat or dry pastels that are fast implementation and simple transport, as they offer a wide range of strong and pure colours. In workshop I used oil, paintings, collages with more complex, more interpreted, more abstract, and more thoughtful constructions. It's the long time. It is the world of colours, smells of solvents, strong and rhythmic music. It is also the place for collective work around models or still life.
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