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Satie was there Painting

ines khadraoui

France

Painting, Acrylic on Canvas

Size: 28.7 W x 36.2 H x 0.8 D in

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$2,500

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ABOUT THE ARTWORK

The artist's pictorial approach was born from an introspective approach that stimulates his bodily sensations and guides her artistic expression. This is why her painting is expressed in a positive impulse. Through the gesture, she creates movement and takes possession of the energies that animate us. Color illuminates our mind, projecting feelings of renewal. The perception and emotional interpretation of her works are free, between abstraction and expressionism. Her creative process does not favor a particular pictorial technique. She favors brushes, paintbrushes and pastels which give her more ease and freedom in her gestures. However, he sometimes subtly adds other ingredients. The work ends when the emotion felt is at its peak and she feels an overwhelming desire to transmit it.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

28.7 W x 36.2 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in the Parisian suburbs of France, daughter of immigrant parents. From Spanish mother, I spent part of my childhood between Cantabria (Spain) and the Paris region (France). I currently live in the center of Paris. My first artistic education I owe it to my mother, a talented seamstress who used to draw embroidery patterns, inspired by nature. Inspired by my mother’s drawings, I develop my artistic sense at a very young age. It is belatedly that I will take up design studies. My art is the outcome of a period of professional creative frenzy in of about twenty years which I needed to feed myself to bring out my own artistic vision. My works give off a strong energy, positive. My art has freed herself from all technical constraints, to focus only on the expression and decoding of the energies that drive us. I have abandonned the figurative style and have turned to abstraction. The influence of Joan Mitchell will be particularly present in this evolution. I have now engaged in an introspective work for years, promoting the connection between body, mind and sensory experimentation that my painting give me through my gestures. My painting is neither in the past nor in the future. Only the present interests me, the moment when I create.

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