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This is a new discounted price (see note in my profile), more than 35% off the original!
One of two very large pieces in my series exploring my personal history of growing up in West-Berlin during the times of the Berlin Wall. This series serves as metaphor for all of the walls we build ourselves, have imposed upon us and are learning to break down during our life's journey. For this painting I'm also alluding to the fact that walls can be protective as well as incarcerating. As a child growing up on the West (free) side of the Wall I perceived it not always as a limiting thing but as keeping out the "bad" guys. Of course, as adults we often erect walls as self protection.
The model stands in front of the Berlin Wall. The angel was really there, some of the words were added by me later with personal references.
The painting is framed in a simple black frame under museum glass, ready to hang.

Awards:
- Pastel Society of the West Coast Member Show, First Place
    - Featured on the cover of the Pastel Journal as one of the Honorable Mention  Awards of the annual Pastel 100 competition, April 2016
    - Chosen as Ten Top artists of Los Angeles artwork to be displayed at Coagula Curatorial, Jan-Feb 216
    - Published in Southwest Art magazine October 2015
    - Outstanding Pastel award in the Bold Brush Painting Competition  June 2015
    - Accepted into the 27th Juried Exhibition of the International Association of Pastel Societies, Dec 2015
Cover of The Pastel Journal March/April 2016
This is a new discounted price (see note in my profile), more than 35% off the original!
One of two very large pieces in my series exploring my personal history of growing up in West-Berlin during the times of the Berlin Wall. This series serves as metaphor for all of the walls we build ourselves, have imposed upon us and are learning to break down during our life's journey. For this painting I'm also alluding to the fact that walls can be protective as well as incarcerating. As a child growing up on the West (free) side of the Wall I perceived it not always as a limiting thing but as keeping out the "bad" guys. Of course, as adults we often erect walls as self protection.
The model stands in front of the Berlin Wall. The angel was really there, some of the words were added by me later with personal references.
The painting is framed in a simple black frame under museum glass, ready to hang.

Awards:
- Pastel Society of the West Coast Member Show, First Place
    - Featured on the cover of the Pastel Journal as one of the Honorable Mention  Awards of the annual Pastel 100 competition, April 2016
    - Chosen as Ten Top artists of Los Angeles artwork to be displayed at Coagula Curatorial, Jan-Feb 216
    - Published in Southwest Art magazine October 2015
    - Outstanding Pastel award in the Bold Brush Painting Competition  June 2015
    - Accepted into the 27th Juried Exhibition of the International Association of Pastel Societies, Dec 2015
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Schutzengel (Guardian Angel) Painting

Daggi Wallace

United States

Painting, Pastel on Paper

Size: 60 W x 40 H x 2 D in

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$5,350USD

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324 Views
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About The Artwork

This is a new discounted price (see note in my profile), more than 35% off the original! One of two very large pieces in my series exploring my personal history of growing up in West-Berlin during the times of the Berlin Wall. This series serves as metaphor for all of the walls we build ourselves, have imposed upon us and are learning to break down during our life's journey. For this painting I'm also alluding to the fact that walls can be protective as well as incarcerating. As a child growing up on the West (free) side of the Wall I perceived it not always as a limiting thing but as keeping out the "bad" guys. Of course, as adults we often erect walls as self protection. The model stands in front of the Berlin Wall. The angel was really there, some of the words were added by me later with personal references. The painting is framed in a simple black frame under museum glass, ready to hang. Awards: - Pastel Society of the West Coast Member Show, First Place - Featured on the cover of the Pastel Journal as one of the Honorable Mention Awards of the annual Pastel 100 competition, April 2016 - Chosen as Ten Top artists of Los Angeles artwork to be displayed at Coagula Curatorial, Jan-Feb 216 - Published in Southwest Art magazine October 2015 - Outstanding Pastel award in the Bold Brush Painting Competition June 2015 - Accepted into the 27th Juried Exhibition of the International Association of Pastel Societies, Dec 2015

Details & Dimensions

Painting:Pastel on Paper

Original:One-of-a-kind Artwork

Size:60 W x 40 H x 2 D in

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Born and raised in Berlin, Germany (b. 1962), and currently living near Los Angeles, CA, Daggi is a self -taught award winning painter specializing in contemporary figurative realism and portraiture. She has reached the level of Eminent Pastelist of the International Association of Pastel Societies, Master Pastelist of the Pastel Society of America and Distinguished Pastelist of the Pastel Society of the West Coast. Working primarily in pastel and charcoal she pushes the more traditional boundaries of the medium by incorporating other materials into her work and presentation. Inspired by her dual cultural life she mixes realism with abstraction and personal narrative with social and political undercurrents. Her work has been shown at the National Arts Club and the Salmagundi Club in NYC, the Butler Institute of American Art, OH, The Zhou B. Art Center in Chicago, The Wausau Museum of Contemporary Art and is in several permanent corporate collections as well as private collections throughout the U.S. and Europe including The Bennett Art Collection Of Women Realists and the Lucille Packard Children's Hospital in Palo Alto, CA. Galleries that have shown her work include RJD Gallery, NY, 33 Contemporary, Chicago, Vose Galleries, Boston and Abend Gallery, Denver. She has won numerous awards in national and international exhibitions. Her work has been published in many magazines and books, including Poets and Artists Magazine, American Art Collector, Southwest Art, Professional Artist Magazine, International Artist Magazine, The Pastel Journal and Pratique Des Arts in France. In 2021 several images of her work were selected for 'The Peregrine Collection' time capsule to be archived on The Moon via Astrobotic's Peregrine Mission One. Besides creating work for exhibitions and teaching workshops Daggi accepts portrait commissions in her Camarillo, CA, studio throughout the year. Working primarily in pastel and charcoal Daggi Wallace pushes the more traditional boundaries of the medium by incorporating other materials into her work and presentation. Inspired by her dual cultural life of growing up in a divided Berlin and now living in the U.S. most of the year she mixes realism with abstraction and personal narrative with social and political undercurrents. “I’m inspired by growing up in an urban environment where contemporary abstract work is so prevalent but I also love traditional realism” she explains.

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