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VIEW IN MY ROOM
VIEW IN MY ROOM
I am very interested in connection, and I believe it is what we live for. It makes me also interested in its opponents- disconnection, conflict, generally in everything that divides us. I guess it is my attempt to make a certain diagnosis for the society we live in. However, I never paint a specific event. During the process of painting, everything becomes universal. Going deeper to the core, finally I just want to deal with an essence of everything- with people and their capacity for expansion and contraction, with brightness and darkness of the human nature. The painting "Secret Garden" is one of the few artworks I have been developing over a long period of time. I felt it was crucial for my artistic growth to take time and slowly build something new, make some new steps, open new doors in my art. The artwork is my attempt to create a space which will feel like an essence of the human being. These is the struggle, as well as optimism, these is a downfall, as well as growing and even jumping. I would say that a certain peace and joy are to be found within the painting, but you can definitely see uneasiness, demons, drowning. All together, I wanted this chaos to work as one, exactly like the life itself, exactly like the human nature. As all artworks from the series "Bodyscapes", Secret Garden is also inspired by Michelangelo's "Last Judgement", as well as old masters in general.
Painting:Oil on Canvas
Size:74.8 W x 74.8 H x 0.8 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
My work is focused on Human Beings, their position in the contemporary world and their interpersonal relations. I observe them from different perspectives and am making my own, nuanced take. Similarly to Francis Bacon, who said: "I would like my pictures to look as if a human being had passed between them, like a snail leaving its trail of the human presence... as a snail leaves its slime", I too am attempting to reach the human essence in my works. I want to give people a reason to pause, to reflect, to take a deep look into themselves. That is where the feelings are and that is what links us together. There we are the most vulnerable, there we are the closest to each other. Dealing with inner worlds interest me - a visualization of the invisible. In all my works I use both figuration and abstraction. My aim is to give a few directions to the viewer, without revealing the final destination or becoming too illustrative. Figures are often appearing from and then disappearing back into an abstract space, which causes the feeling of constant flow within the painting. More on: http://tijanatitin.com/ or my Instagram account tijanatitin
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