144 Views
3
View In My Room
Painting, Acrylic on Canvas
Size: 22 W x 28 H x 0.1 D in
Ships in a Tube
144 Views
3
ABOUT THE ARTWORK
In the Self-imprint series the artist's body is transformed into a vehicle of expression, creating a medium through which others can see her most genuine essence. Skin collides with color, body parts with paint molecules, all intertwining to form a bridge between the being and the canvas, which in themselves exists in an impenetrable and eternal embrace. The series attempts to literally overcome the barriers of communication through art, ultimately achieving a state of transcendence.
Original Created:
2016
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Acrylic on Canvas
Original:
One-of-a-kind Artwork
Size:
22 W x 28 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
Have additional questions?
Please visit our help section or contact us.
Ana Maria Farina
United States
Ana Maria is a Brazilian artist and educator based in New York. She received her masters degree in Art and Art Education from Columbia University in 2016, and in 2018 she was awarded a fellowship to the New York Foundation for the Arts Immigrant Artist Mentoring Program. Most recently, she received a scholarship to attend the MFA program at SUNY New Paltz, where she is also the Visiting Artist Director and the president of the Student Art Alliance. As both an artist and an educator, Ana is interested in experimentation, experiences of release and constraint, expansion and collapse. Her work investigates themes of hysteria and repression of the feminine, as well as the body and identity through the lens of feminist theory and psychoanalysis. Lately, Ana has been exploring the materiality of fibers and textiles, creating sculptural paintings that visually speak what Elaine Showalter called a “feminine protolanguage.”
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