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Serfing. Counterpoint
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Serfing. Counterpoint Painting

Nikolai Gritsanchuk

Russia

Painting, Acrylic on Canvas

Size: 39.4 W x 39.4 H x 0.8 D in

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About The Artwork

Painting is sold unframed. Framing is not required. Work once you can hang on the wall. High-quality, modern materials. Reliable packaging. Guarantee safety and durability of works of art. Certificate of authenticity included. Thanks so much for taking an interest in my work.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

“The epitheme principle suggested by the artist himself underlies all his works. Its key feature is based on a specific pattern of transition from the particular to the general which is different from i.a. mechanism of various classifications or links; ‘the general’ is herein constructed of the discovered or already existing mental epithemic connections. An epitheme is a mental cross-point for isothemes or concepts representing both current and potential liaisons between notions, ideas in science and technology, as well as in art, politics and business. A concept or an isotheme is a special case of an epitheme. A reading spectator is the constructive element of an epitheme. A work of art includes a reading spectator into a right here right now existing epitheme rather than simply speaks to them. The epithemic connections are capable of naturally bringing together the semiosphere and the conceptosphere. A work of art is regarded both as a trigger and a medium of epithemic ties capable of fully reflecting the inner and the outer world of a human being, and functioning as a small basic element which can later on develop into a new or a larger entity. The artist makes use of potentials of painting as well as of modern technologies and materials, and sociocultural phenomena and cultural theories; he is keen on exploring and artistically representing up-to-date subjects, plots and ‘texts’. The author draws no borderline between literature and visual art, but sees art as a sole unit. “

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