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Painting, Acrylic on Other
Size: 3.9 W x 6.7 H x 1.2 D in
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Base: copper sheet Frame: white wooden floating box frame “Shelter No 1.” displays traces of a map of an industrial area of southern Budapest. The personal story it originates from started with my parents' efforts to reestablish their lives in the capital of Hungary, coming from a tiny isolated village in the 1960s. During the Cold War behind the Iron Curtain industrial areas like this were very popular, as factories provided opportunities to work and war-shelters were built on every corner. These areas being popular, they were also expensive. Hence my parents couldn't afford such a luxury. They needed to move to a different area, a green hillside close to the city. Decades later the latter became the most valuable area of the city, while the industrial estates turned into no-ones-land. The painting became my meditation on what we judge as good or bad fortune and the pointlessness of such judgments. It is also a celebration of the recovery from the trauma of war and poverty through generations, a tribute of the souls' transformation that enables forgiveness through remembrance.
Acrylic on Other
One-of-a-kind Artwork
3.9 W x 6.7 H x 1.2 D in
White
Not applicable
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Réka Ritt Laklia is a multidisciplinary visual artist based in London. Her practice encompasses painting, VR, installation and photography. She uses motifs and materials, often imbued with folkloric elements, that emerge from her Hungarian cultural heritage. She alchemises her ancestral legacy of various crafts, including copper smithing and the intricate cellular patterns of folkloric embroideries, with the global cultural experience she gathered through travelling and living in many different countries. Her organic patterns are inspired by, but do not imitate Hungarian folkloric motives. Instead, her art is the product of a compassionate and sensitive combination of critical thinking and respect for traditions. "The creative process is to understand the narrative of my recollections, identifying the underlying patterns and dynamics that run across them and the parallel patterns and dynamics that run across society and culture. It is a ceremonial quest to find remedies for fractures in all levels of human experience and, in a symbolic manner, to perform curative corrections and adjustments, treating the artwork as a voodoo doll." In 2018 Réka moved, so that her studio now backs onto one of the few remaining areas of ancient deciduous forest in England, which brought 'nature' into her focus of attention: its beauty, of course, but also its natural ease with loss, death, and transient existence. It is a wonder how the individual organisms of the forest's ecosystem are connected, not trying to violate this transient existence on each other's account. "The woods enchanted me with its towering giant oak trees and busy wildlife. Some parts of the area date back over 8,000 years to the end of the last Ice Age. As if childhood tales became alive, an almost tangible magic lingers around the misty, moss-covered woodland. Nature's closeness helps me tap into my experiences in this realm, integrating its dynamics into my modus vivendi." Through her paintings, Réka introduces her powerfully spiritual take on the connection between nature and culture, exploring non-dualistic philosophies, mystical practices and other systems of spiritual exploration as possible pathways to reconcile the two.
Artist featured by Saatchi Art in a collection
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