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"Signs" ( painting nr 950 ) Painting

Krzysztof Pajak

Poland

Painting, Acrylic on Canvas

Size: 39 W x 47 H x 1 D in

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About The Artwork

META PICTURES I sit stall possible todaj to be a panter, a goud panter? To reconcile the aesthetics of a gesture, the color temperature with a pursue for the essence of painting? Can one say something more about a picture, apart from has been alredy said/painted? Krzysztof Pająk has made this effort. His earlier pictures have explored the distegration of the painting language. He borrowed from old ways of expression and motives to combine them in Visually attractive sets. The motives known from cave frescoes, African painting, Mays art, Australian culture. Enigmatic writing signs, monumental constructions, concisely approached, though aesthetically attractive human silhouettes. The mosaic horror vacui, painting puzzles. Last but not least, the light. Frequently applied phosphorescent paints. In a darkened room, illuminated with the UV light, pictures appears to by an extraordinary phenomenon. His latest works have marked a new stage of reflections over a picture. Painting has ceased to be merely an aesthetic pleasure, turning into an intellectual riddle. Pictures get nearly abstract, composed of color fragments, arranged as though they were glass tessera. A disintegrated, dismembered picture. The post new Impressionistic visio. The pictures surface is pulsating, trembling, falling apart into thousands of color elements. From a distance, one tries to grasp and put together this transitory, painting view. To look for references to the reality. Yet, one Is wandering around. Sinking in the painting matter. A picture is an object made of paint. It Shows its entire matter-of-fact painting qualities. We are coming back to the roots, this time not through references to the history of art, to the very foundations of painting. What is it? An object made as a result of applying paint on the canvas or on other flat surface. Pająk, However, cannot totally deprive his pictures of paiting beauty. He has not reached a point of an absolute picture. He has not painted monochromatic surfaces. For him, the paint tangibility Carries aesthetic sensations: splashes, expressive paintbrush strokes, paint layers applied one On the top of another – all these serve to emphasize painting related quaites. He has tried to reflect on the core of a picture without negating its aesthetic function. The question remains, what would be his next step? EXIT new art in Poland Quarterly No.1 (69) 2007 Texst: Magdalena Wicherkiewicz Art historian, curator. Swe publishes texts On contemporary art.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39 W x 47 H x 1 D in

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1956 Warsaw, Poland. I am a painter, as well as designer and a photographer. More than 40 individual exhibitions. Participated in more than 250 group exhibitions, Participated in 60 charity auctions.

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