VIEW IN MY ROOM
United States
Painting, Oil on Aluminium
Size: 16 W x 20 H x 1.5 D in
Ships in a Box
Artist Recognition
Featured in the Catalog
Artist featured in a collection
This is another one of my "hybrids" where I have painted over an aluminum print and applied gold metal leafing. This one is a collage of clouds, forest and sky on raw aluminum. The feeling is ethereal. The clouds are done in oil paint, the shiny gold patches in leafing, and some green glittery mica flakes in the forest areas. The raw aluminum has a mirror like quality as well as the metal leafing. Like a lot of my work, it reflects the light so it changes with the time of day. Please check out the addition photos online. It has a hidden wood frame on the back which makes it look like it is "floating" on the wall. No need for framing. Thank you for looking.
Painting:Oil on Aluminium
Original:One-of-a-kind Artwork
Size:16 W x 20 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Karen Clark is a contemporary artist based in Los Angeles. She uses oil, acrylic and collage in her quest to find magic in the ordinary. Her art has been commissioned by Louis Vuitton, the Bellagio Hotel, the Mandarin Oriental, the Virgin Hotel, Los Vegas, and an HBO series. She has sold to private collections in Sweden, France, the United Kingdom, Germany, Italy, Israel, the Netherlands, Japan, Singapore, the US and more. Her art has been featured on on Artsy, the Huffington Post, CNN, and CBS. From Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic -- inventively choreographing this gamut of choices into layered juxtapositions that are at once eerie and poetic, strange and familiar.
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