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SIRENS, 2004 Painting

Bostjan Jurecic Alluvio

Slovenia

Painting, Acrylic on Canvas

Size: 25.6 W x 17.7 H x 2 D in

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About The Artwork

»SOLARISATIONS« Paintings from 2004 »I use paint and canvases. In the past I used to do images. Urban landscapes of large proportions (200x320 cm). My latest works are quite different. Apart from the fact, that the new paintings are small (40x60 cm), they have a strong conceptual background.« »I am not producing images any more. I try to paint or show, how an image dissolves. Two types of space become relevant here: - The space of spectator's conscience: how an image dissolves or falls apart in a spectators conscience after he has moved away from it. I pose a question how memory is formed here. - Physical space, the dissolution of physical image in time: the question is, how image as a physical object decomposes in time.« »Technologically his way of working corresponds with experiments in photography in the seventies. Solarisation is a procedure in which, during the development of a photo, the photographer exposes a photograph to a flash of light. A series of graphic effect ensues.« »There is a phase in his work in which he exposes a painting to the mechanical effects of washing images away with water. This produces similar effects as does solarisation in photography.« Excerpts from a text by Iztok Premrov, Slovenian art critic and member of AICA published in the catalogue to the exhibition at Lek Gallery, 2004.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:25.6 W x 17.7 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mobile ph.: +386 41 652158 ----------------- Email: bostjan.jurecic@rtvslo.si ------------- Painter, art theorist, journalist born 1969 in Ljubljana, Slovenia. This is all of my art production so far displayed in no chronological order. I try to maintain strict quality control so I destroy more then I preserve. There are also several video clips about my work available on my YouTube channel. I was the worst student Ljubljana's Academy of Fine Arts could ever have. I barely passed the last year with the lowest grades. After finishing studies I wanted to drop art altogether. I got a job at the national TV of Slovenia where I still work as a journalist covering visual arts, architecture, comics, classical and contemporary music etc. After the millennium I started painting again. At first under strong influence of Basquiat, whose show I saw in Trieste at the end of the nineties. Actually it was Basquiat's show that pushed me back again into producing art. After 2003 I wanted to get rid of Basquiat's influence. So, one time I carried this one piece that had again been done in his style under water, while it was still wet. Water partially washed the image away. There was a silent scream in my head: "Look how the image dissolves." Washing the images away with water became my dominant painting technique. There were a couple of series of paintings made between 2004 and 2006 using this technique in a variety of ways. Between the beginning of 2007 and the beginning of 2010 there was a pause though. I was trying to expand on this idea and technique but wasn't successful. I realized later that I was trying too hard to show my invention as such. In early 2010 I came up with the necessary evolution. Since then, my work procedure can be described as follows: I make an image with paint. I then wait a couple of minutes till some of it has dried. I then wash the image away with water. Patches of paint remain, of course. I then repeat this procedure with another paint until something gets formed out of patches. Why is all of this important? This procedure of mine gets me beyond simple illustrating. It makes the onlooker feel as if the images got on the canvas all by themselves. At work with TV Slovenia I have been since 2012 engaged in writing a widely read and commented column on contemporary art. I am also active in the field of art theory. I developed an original theory of and on the parallels between visual art and music.

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