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SISTERS, 2019 Painting

Bostjan Jurecic Alluvio

Slovenia

Painting, Acrylic on Canvas

Size: 47.2 W x 27.6 H x 0.8 D in

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About The Artwork

The painting was made after a still from a movie by a Slovenian director Damjan Kozole. The movie is about two sisters that experience domestic abuse and are in process of dealing with it. PAINTINGS 2019 Eleven new paintings from me in 2019. As you will see, I attempted at playing with strong contrasts here and there. You be the judge as to how much I succeded in bringing to light a slightly different painterly reality. Apart from paintings my book is out! Cambridge Scholars in 2020 published my Study on the Parallels between Visual Art and Music: The Big Misconception. The book has 150 pages, approximately the same number of footnotes, and is divided in three parts. It is available on all the usual spots, Amazon included. The contents? Here are a couple of »blurbs«: “There have always been parallels between visual art and music. Rembrandt, loosely speaking, looks the way Beethoven sounds, perhaps Mozart sounds like Velazquez looks. Monet is the original Impressionist painter, while Debussy is the original Impressionist composer… What, then, are the parallels that go with, say, Warhol, Koons, Hirst? A Study of the Parallels between Visual Art and Music: The Big Misconception by Boštjan Jurečič answers this question and the many others that arise from the predicaments of these established parallels.” “Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Jeff Koons, between Caravaggio and Damien Hirst. Even the sharp critics of artists like Warhol, Hirst, Ai Weiwei and countless others that dominate the contemporary art scene, imply such a continuity. They are all wrong. There is no such continuity or, more precisely, such continuity is only very weak at best. A Study of the Parallels between Visual Art and Music: The Big Misconception by Boštjan Jurečič explains why and how the claims regarding this continuity are false and how we arrived at this point of great confusion about the arts.” “A Study of the Parallels between Visual Art and Music: The Big Misconception by painter, art theorist and journalist Boštjan Jurečič, is a systematic attempt to look at the conceptual and morphological similarities between the works of painters/visual artists and composers/musicians. But this book doesn't stop there. Establishing such parallels raises controversies, points to the confusion that rules in much of the contemporary art world and addresses many of the questions that plague the art scene today.” “There are people who demand proofs of mathematical rigor and precision for claims in the domain of art theory. As such proofs are not provided, these people then claim that any and every debate and any and every assertion about the arts is possible and acceptable, as everything about the arts is subjective. But mathematics can't be used to prove anything of significance in the arts. The proofs in art theory have been, and can only be, epistemological. This demand for the type of proof from a specific domain, when in reality the proof can only be found in a different domain, is behind much of the confusion that plagues the contemporary art world. A Study of the Parallels between Visual Art and Music: The Big Misconception by Boštjan Jurečič explores the confusion that arose from this predicament and examines solutions.”

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 27.6 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mobile ph.: +386 41 652158 ----------------- Email: bostjan.jurecic@rtvslo.si ------------- Painter, art theorist, journalist born 1969 in Ljubljana, Slovenia. This is all of my art production so far displayed in no chronological order. I try to maintain strict quality control so I destroy more then I preserve. There are also several video clips about my work available on my YouTube channel. I was the worst student Ljubljana's Academy of Fine Arts could ever have. I barely passed the last year with the lowest grades. After finishing studies I wanted to drop art altogether. I got a job at the national TV of Slovenia where I still work as a journalist covering visual arts, architecture, comics, classical and contemporary music etc. After the millennium I started painting again. At first under strong influence of Basquiat, whose show I saw in Trieste at the end of the nineties. Actually it was Basquiat's show that pushed me back again into producing art. After 2003 I wanted to get rid of Basquiat's influence. So, one time I carried this one piece that had again been done in his style under water, while it was still wet. Water partially washed the image away. There was a silent scream in my head: "Look how the image dissolves." Washing the images away with water became my dominant painting technique. There were a couple of series of paintings made between 2004 and 2006 using this technique in a variety of ways. Between the beginning of 2007 and the beginning of 2010 there was a pause though. I was trying to expand on this idea and technique but wasn't successful. I realized later that I was trying too hard to show my invention as such. In early 2010 I came up with the necessary evolution. Since then, my work procedure can be described as follows: I make an image with paint. I then wait a couple of minutes till some of it has dried. I then wash the image away with water. Patches of paint remain, of course. I then repeat this procedure with another paint until something gets formed out of patches. Why is all of this important? This procedure of mine gets me beyond simple illustrating. It makes the onlooker feel as if the images got on the canvas all by themselves. At work with TV Slovenia I have been since 2012 engaged in writing a widely read and commented column on contemporary art. I am also active in the field of art theory. I developed an original theory of and on the parallels between visual art and music.

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