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Painting, Acrylic on Wood
Size: 36 W x 32 H x 2 D in
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Artist featured in a collection
Layered in flashing dripping color, these painted shapes alter their environments, existing as floating entities, flat and unmoving but vibrating in living and changing color. At once foreign and familiar, the entities are made of the shadow of dozens of hands, overlapping and writhing, until the boundaries between each other disappear and only exist as a unified filter between themselves and their environment. The pattern in the backgrounds are inspired by botanical fabric and wallcovering design, but with vibrant and sometimes unexpected color cords. The title of the series, Snakestones, comes from the idea of loosely-tied witchdoctor practices throughout the world where a special object, often times a stone with holes is it, can be used to draw out snake venom from a victim to save their life. This idea, in my mind, takes on a power of its own to control the venom that would otherwise kill you, and that perhaps in this transference of death, there is a rebirth and transformation.
Acrylic on Wood
One-of-a-kind Artwork
36 W x 32 H x 2 D in
Not Framed
No
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United States
Thomas Flynn II is a multi-disciplinary artist working primarily in acrylic painting focusing on the space between sleep and waking life. His work has been included in the SCAD permanent collection, featured as a directory artist on Visionary Arts Collective, Musik Curatorial, and on Visual Space among other publications. He has exhibited in Texas, Georgia, and curated into virtual group and solo exhibitions internationally. Flynn received a B.F.A. in painting and a minor in art history from the Savannah College of Art and Design (SCAD) in 2016. In addition to his own art practice, Thomas is the editor for the juried hardcover book, Friend of the Artist. Flynn is currently living and working in North Austin, TX.
Artist featured by Saatchi Art in a collection
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